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Collage, Paper
Size: 6 W x 9 H x 0.1 D in
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MACROALGAE SERIES Foraged seaweeds are laminated between transparent pulp sheets during the wet hand papermaking process. They are pressed and dried together, resulting in an extraordinarily detailed preservation of the aquatic species, layered within a natural, organic, tactile, imperfect, handmad...
2019
Collage, Paper
One-of-a-kind Artwork
6 W x 9 H x 0.1 D in
No
Not Framed
Certificate is Included
Ships in a Box
No
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United States
May Babcock is an interdisciplinary artist based in Providence, Rhode Island. Her studio techniques combine hand papermaking, printmaking, sculpture, historical photography process, and book-arts techniques, creating artwork that addresses place. She gathers sketches, materials, histories, and environmental information from sites to create works of paper, installations, public art, and community-based art. Babcock exhibits nationally and internationally, has taught courses in all forms of printmaking, papermaking, drawing, and two-dimensional design, and has been the recipient a range of grants, fellowships and artist residencies. ARTIST STATEMENT Landscapes are complex, full of botanical life, waterways, historical memory, built environments and more, all of which can offer clues to a culture. I begin with specific sites, where I collect plant fibers, materials, and drawings to gain psychological impressions and witness poignant evidence of human activity. I am a curious artist, who researches and is fascinated by local hydrologies, plant ecologies, geological history, and human-created structures and histories. As a hand papermaker informed by print processes, technical experimentation in the studio invigorates my practice. Adventurous hybrids explore a range of processes, chosen for their aesthetic value and contextual significance. This broad range of influences coalesce with artist-made paper pulp, used to draw sculptural forms, realize large scale pulp paintings, cast carved woodcuts, develop textured sheets for cyanotype, and embed river muds and seaweeds. Very often, I create public art, large-scale installations, and community-created works that are both inspired by and crafted for specific sites and peoples. Visit for more information.
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