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"SPOT n° 180" Collage

Elena Marini , Italy

Collage, Other on Paper

11.8 W x 15.7 H in

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SPOT n° 180 2016 Elena Marini's 'visual poetry in progress' has as its fundamental value synthesis and essentiality. It is not narrative but cinematic: it is not for nothing that her collages are 'SPOT'. Each of her works is a frame of a film in continuous construction: a film that will never have ...

Year Created:

2016

Subject:
Styles:
Mediums:

Collage, Other on Paper

Rarity:

One-of-a-kind Artwork

Size:

11.8 W x 15.7 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

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Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Italy.

Customs:

Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.

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Elena Marini

About the Artist

Elena Marini

Italy

Born in Pistoia on 19.07.1975, Elena Marini is an italian artist, has
collaborated with the following artists: Sarenco, Eugenio Miccini, Vanessa Beecroft, Tom Sachs, Jean-François Bauret, Serge Cohen, Daniel Druet, Uwe Ommer, Daniel Nguyen and Peter Suschitzky.
Here a selection of her works (visual poetry) called SPOT, made between 2015 and 2018.
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Elena Marini's 'visual poetry in progress' has as its fundamental value synthesis and essentiality. It is not narrative but cinematic: it is not for nothing that her collages are 'SPOT'.
Each of her works is a frame of a film in continuous construction: a film that will never have an end, a film that has the same temporal length as the author's life. The images (found and recovered) are decidedly self-referential, like the dryness of the texts that accompany or integrate them: there is no more comma, there is no more word than is necessary. Dry, sharp works, that do not allow second thoughts.
Marini's collages prove that 'visual poetry' is not yet dead, as the crows of art often say, those always ready to praise any new 'connerie' that appears in five-yearly time cycles on the glossy pages of fashionable art magazines.
Poetry resists and is not erased: the walls of Thebes will fall but the works of those poets who will not be integrated by the ephemeral fashions of the market will remain 'ad aeternum'.
(Sarenco)

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