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Collage, Paper on Paper
Size: 8.5 W x 10.1 H x 0.1 D in
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239 Views
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Artist featured in a collection
Requires framing to be properly displayed. In collage I'm pitting the illusion of plunging perspective against the matter of factness of the object glued flat against the [non illusory] surface; both befriending and betraying the picture plane. In painting this is known as push-pull. “Rather than seeing outside or representing things, it (Abstract Expressionism) saw signs, gestures, and proofs of its own sincere inwardness. Space will always serve this tendency better than time does. In space a Subject can seem to turn into an Object, an object furthermore that seems to want to be a random something as well as a sovereign nothing-but-itself.” -Ross Feld from Guston in Time; Remembering Philip Guston
Paper on Paper
One-of-a-kind Artwork
8.5 W x 10.1 H x 0.1 D in
Not Framed
No
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"Despite strident efforts to paint the smallness of birds monuments persist. " website: Published by The Paris Review, Knopf, Vintage, Rizzoli Books, Paris Vogue, Denver Quarterly, Shots Magazine, Harper Collins, The New York Times and others. Exhibited in New York, San Francisco, Prague, St.Thomas and Austin. His most recent one man shows was at Seven Minus Seven Gallery In the US Virgin Islands. Personal interests; weather patterns, the inner life of trees, limes, irrationality, filigreed space, tequila, the middle ages, muay thai boxing, kittens, puppies, red wine, French New Wave cinema, sharp knives, lengths of twine rolled into balls for kittens to rut and nuzzle, cowboy britches, comedy jokes, rosemary short bread, blue moons, red squares, purple rain, carrot juice, my bidet, interiors, monumentality, audit remediation, the direction up. profile pic: Self portrait holding Autumnal Brutalist collage January 26, 2022
Artist featured by Saatchi Art in a collection
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