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She Came From Above Collage

Laura Joan Levine

United States

Collage, Paper on Paper

Size: 15 W x 11 H x 0.1 D in

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$240

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About The Artwork

I have often interacted with people who didn't understand me and so I felt in these interactions as if I was trying to communicate with them from another plane of existence. The man is stuck in time/staring unceasingly at the clock whereas the woman can transcend time in her unlimited realm, thus the large size of the woman's graceful hand and her color versus his small size, black and white, and locked hands. The slight accidental wrinkling of the paper the hand photo is on synchronistically expresses the fact that, to interact in the man's world, the woman is entering the world of time in which there is aging. Three of the pretty, juicy smiling gourds indicate that the higher realm is beautiful, bountiful, and whimsical, while the one closest to the man has a phallic appearance. The softness of what is connected to the woman contrasts with the hardness/stiff pose of the man. The ethereal sky blue of the background/her realm shifts to the rose color surrounding the interaction between the woman and man, suggesting romantic feelings. (signed and dated (2006) on front and back, watercolor and photo cutouts with smiles I applied with paint (gourd photos by my friend John E. Randolph) on archival quality moderate thickness watercolor paper)

Details & Dimensions

Collage:Paper on Paper

Original:One-of-a-kind Artwork

Size:15 W x 11 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I have a background in Art Therapy, Art History, and Studio Art. My analyses of my artworks on here are mostly afterthought, as I primarily work in a more intuitive fashion. Having grown up in New York City, with city life feeling so hectic and artificial to me, I've always craved the spontaneous harmonies of nature. Family trips to the Caribbean stimulated this longing and influenced the kind of imagery I was to use, i.e., often of an aquatic, colorful, and exotic nature. My work in the art therapy field gave me an understanding of the crucial role projection plays in both the making and viewing of a work of art. This realization stimulated me to work in a stream-of-consciousness way, enhancing the hazy, often amorphous dream-like feel of my work so as to give full reign to the subconscious and encourage projection in the viewer. Viewers do often project their thoughts onto my pieces; I expect the fluidity of the imagery to invite this sort of reaction. When I moved to the Philadelphia suburbs in the mid-nineties, I now realize I must have absorbed the colorist tradition of this region, becoming even more immersed in the expressive potential of color than I was to begin with. I also began to find inspiration in the ideas and work of abstract expressionists like Kandinsky. His book "Concerning the Spiritual in Art" particularly affected me with its emphasis on re-invigorating the modern psyche through a use of vibrant colors, shapes, and rhythmic compositions. When I saw Hilma af Klint's retrospective at the Guggenheim in 2018, I felt a deep kinship with her. Other influences include Fauvism, with its bold colors and Surrealism, with its dreamlike qualities. Related to my interest in projection is my recent focus on the visual aspects of the digital age. Some of my latest paintings are explorations of the visual and psychological effects of pixelated images. Artwork not shown on here can be seen at https://laurajoan-levine.pixels.com I can be contacted at LauraJoanLevine.outlook.com and get updates on exhibitions @laurajoanlevine on Instagram.

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