20 Views
6
View In My Room
Collage, Paper on Other
Size: 39.4 W x 39.4 H x 0.4 D in
20 Views
6
Featured in the Catalog
Artist featured in a collection
I started in February 2020 to paste up some geometric shapes, colorful hard edge composition, and some with optical illusion. I began by drawing these shapes during the first lockdown thinking about the situation how can all this happen, the paradox of being all alone-together, the new ways we found to interact with each other and missing natural light. In Jewish tradition, when someone dies, we paste up their name in the neighborhood that everyone can assist at funerals and visit family. So I twisted this idea. And pasted symbols (for me) of life, memories of happiness, an icon of life in places where life was missing, or places that I wanted to give love. Often, friends can tell you I would answer a question by I’m alive. Therefore I keep on creating. There is no logic in the making, there is no logic in life/death matters. Why waiting it’s over to celebrate Life?
2020
Paper on Other
One-of-a-kind Artwork
39.4 W x 39.4 H x 0.4 D in
Not Framed
No
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French-Israeli artist, lives and works in Tel Aviv, Israel. Graduated from the fine arts of Paris (ENSBA),LVMH young artist award 2006, TAKASAGO prize 2008. She believes that order in chaos leads to an equilibrium of harmony. Jessica ’s corpus of art is an infinite voyage. Her calling never discovers a termination. Light is an exceptional commodity for her, the infinite evolution of colors, untangible moment of grace, and interactions with architecture. her process starts by translating this reflection and materialize them in shapes, lines and color harmonies She builds utopian architecture (mindscape) where she unveils impossible geometry. Her art-objects are keys to new dimensions, a new approach of colors. the structures display optical illusion that distract us from rational thinking and logic. Her art is inspired by former Bauhaus artists like Josef Albers. Jessica lives in Tel Aviv, where the traces of this movement are still to be found in the city architecture. Albers inspired Moritz to consider herself profound with the theory of color. Her inquiry led to an inspirational mission to flourish a very own attitude to this optical material. She believes in a sustainable way of producing her art. In consideration of climate change, she reclaims materials to use the existing. She gathers material on her trips and transforms them during a magical process into a new purpose. She tries to avoid a replacement out of senseless consumerism.
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Artist featured by Saatchi Art in a collection
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