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Size: 40 W x 30 H x 0.1 D in
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In my teens I discovered photography which I used to record my outdoor adventures while growing up in Oregon (climbing, river rafting, hiking, backpacking, kayaking). Only film of course in those days and I augmented my "image collection" by learning to process the film and print it in the darkroom. As does everyone at some point or another, I let the parental manse, moving out on my own. As is also the case for everyone, I needed furniture. Though I despised wood shop class in junior high, I persevered and bit-by-bit, taught myself woodworking. Over the course of 30-years, I advanced from a simple TV stand to small boxes and on to desks, armoires, dressers and the like. Memorable pieces include a three-drawer dresser with an extension to the top so I also served as a changing table that I built in advance of the birth of my first child, Hannah. I also built a swinging cradle for her. Recently, with my son I regifted a wooden "tone drum" which I originally built for him in 1994 and this past Christmas we together, passed it along to my 2 y.o. grandson. About 14-years ago I sold my last house and moved into a condominium in Seattle. The significance is that w/o a house and the accompanying space, continuing woodworking became at best, very inconvenient. So, back to photography…… 20,000+ images later and I have a trove of material that I think, and others tell me, contains some outstanding shots. You will of course be the judge of that. Collected while traipsing far and wide along the streets of Seattle, exploring the woods around my parents home in Eugene, OR, exploring the beautiful Pacific Northwest, many parts of the rest of the U.S. and here and there around the world. The truth is that while I've been fortunate to explore many distant lands, all I have to do is step outside of my building and I have more interesting subject matter than I can possibly capture. Cheers, -Gary
2023
Digital on Aluminium
One-of-a-kind Artwork
40 W x 30 H x 0.1 D in
Not Framed
No
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Gary Horsfall hangs his hat in Seattle, Washington and lives his life wherever he can influence his work and travels to take him. In the past year that has spanned miles upon miles of walks across Seattle to a 1,200 mile 4x4 trek across The Northern Territories and Western Australia (Darwin to Broome along and off, Highway 1). Oh, and a couple, three or four places in all directions in between……… Overall, the theme of my work is “unlock what’s in plain sight.” A consummate observer of the world at large; art, beauty and creativity have always been a significant part of my life and in that, play themselves out through my photography. Through my work I seek to capture what I discover as I roam through my life. And, I’ve led a big life, or so I’ve been told. My observation is not subject to exclusive preferences. I’m drawn to capture people in their natural environments, the beauty of nature; generally close-up and the grandeur, large and small, of man-made objects. I hope that what you find most striking about my work is the nuance that’s there to be discovered through thoughtful, studied observation. I tell stories…… What do you see in the image, familiar to you though the subject may be, what haven’t you perhaps noticed before? What’s the relationship between the things that were captured? What’s the situation? Is a “complication” suggested? What question(s) arise for you as you immerse yourself in the image? What story can you imagine that answers those questions? You won’t find Waldo but sometimes you may be surprised by what you do find. Look up my image “Trinidad 2017 No.59. What’s in the bootblack’s right ear? It’s not a hearing aid……… Or, look up “Santiago 2017 No.6. When was the last time that you saw someone with four feet!?! See something unusual or unexpected in one of my other images (hint: look at mushrooms). Please send me an email and share . Perhaps you’ll see that my black and white work hearkens back to the Golden Age of photography spanning the late 1800’s through the 1950’s. At that time the world was transfixed by the likes of Steichen, Sander, the Weston’s, Cunningham, Walker, Frank, Abbott and Penn. My monochrome images interpret today’s world through the “lens” of that time period.
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