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168 Mall Food Hall Tondo Manila Drawing

Jonathan Effemey

Philippines

Drawing, Ballpoint Pen on Paper

Size: 8 W x 6 H x 0.1 D in

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About The Artwork

These pen and ink and pencil drawings aim to record what I see in one of the very large Malls found in Metro Manila. The Mall Marks are all ‘eye balled’ to quote David Hockney. They are not drawn from photographs. My influences are David Hockney, Baroque Art, Expressionism, and Social Realism. I started using a pencil now I use a black Biro pen. I also play tenor saxophone and improvise. As with a solo I have to make good any mistakes as I go along with a pen drawing. I distort space sometimes. I like to set up a scene. It is gone now with Covid, but I would always sit in the same seat in the 168 Mall Food Hall. This way I got to know some constants out there, in terms of stalls, tables, and my two ‘manikin mates’. I look out for people being settled. I aim to produce a likeness. However, the people here are not life models. Being the Philippines many people text. This is a great help as they tend not to move too much. I managed to do this with this example here with the figures in the foreground. I also drawing discreetly. These drawings are pretty small, around postcard size, and people rarely notice me drawing. I do not like being too intrusive either and I am always respectful. I have witnessed a whole range of emotions in the Food Hall. There is also an occasional touch of caricature in some of my drawings. If I spot something out there I might develop it. This was not really the case in this drawing and in most of the Mall Marks I have produced to date. A fixative spray is available if needed.

Details & Dimensions

Drawing:Ballpoint Pen on Paper

Original:One-of-a-kind Artwork

Size:8 W x 6 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

What is central to my work is observation. I was taught observational drawing at Brockenhurst 6th Form college. This was followed up at the University of Newcastle Upon Tyne in the UK. I regularly attended formal life drawing classes. This is what David Hockney calls ‘eyeballing’. I was a teacher for 30 years in various High Schools in London. I did keep up my interest in art and produced a number of watercolors whilst on holiday in Europe. I might consider entering them here. Since retiring I moved to the Philippines. I started drawing in pencil on small postcards. I observed life in the large shopping Malls found in Metro Manila. One I concentrated on, in particular, was the 168 SM Mall in Tondo Manila, especially in the food hall there. I would always tend to sit down in the same seat. This way I could hold down a number of constants such as chairs, tables, and my two ‘manikin mates’. I also moved from using pencils to black Biro pens. I also play and improvise on the tenor saxophone. If you mess up in a solo you have to ‘make good’ in real-time, the same is true when using an ink pen. Texting is very common in the Philippines. This way I could concentrate on figures as they tended to stay still. I am always very respectful. I have witnessed a range of emotions in the food hall. Working on a small scale, I am also very discreet. In this example, I managed to get a good likeness of the young gentleman sitting in the front. Have studied Art History at 6th form and at University, there is a bit of a Baroque influence in the way the two manikins are looking out at you in the picture, there is also a play of different head positions. There is a distinct foreground, middle ground, and background as well. The ‘Golden Mean’ proportion seems to be hard-wired into my work as well. Remember this work in observed, ‘eyeballed and not based on a photograph. It was drawn in real-time.

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