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"Child Poverty" Drawing

→ Priyesh Soni, India

Drawing, Charcoal on Paper

22 W x 17 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$180

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


This painting is showing the situation of asian under development countries where the growth and development is critical. In this artwork, in they eyes of this girl, there is a hope of food, cloth and shelter to live a life. She is looking around in search of a good life. There is a pain, expectatio...

Year Created:

2016

Subject:

Mediums:

Drawing, Charcoal on Paper

Rarity:

One-of-a-kind Artwork

Size:

22 W x 17 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

India.

Customs:

Shipments from India may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Priyesh Soni

About the Artist

Priyesh Soni

India

My art is about the human emotion behind a face, a gesture, a story. Working in acrylic, charcoal and graphite on canvas and ivory sheet, I paint expressive portraits and scenes drawn from Indian culture and mythology, from lovers embracing in the monsoon rain of the Mahabharat era to a Kathakali dancer in full regalia. Alongside these, I create portraits inspired by real people and real-life issues of humanity.

I am self-taught, and my style has grown through observation and constant practice. I let emotion lead, and color and texture follow. My hope is that each piece makes the viewer pause and feel something real, whether tenderness, devotion or unease.

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