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Damaged Goods Drawing

Kishwar Kiani

Pakistan

Drawing, Pastel on Paper

Size: 121 W x 142 H x 0.1 D in

Ships in a Tube

$13,920

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

My work inquires the taboos and societal expectations surrounding women's behaviour in public, particularly relating to vanity, acne scars, and body posture. It aims to explore the pressure on women to conform to certain beauty standards and the consequences of not meeting those expectations. The s...

Year Created:

2019

Subject:
Mediums:

Drawing, Pastel on Paper

Rarity:

One-of-a-kind Artwork

Size:

121 W x 142 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Kishwar Kiani GBA is a visual artist, sculptor and an academic from Pakistan, currently based in Rawalpindi. Questioning how order and chaos coexist through scaffoldings underpins her visual arts practice. She identifies her ‘true-self’ in order and chaos, through scaffolds and mazes. Her works vary from charcoal to metal, exploring ways to break away from the constraints of her learning. She identifies her surroundings as a gigantic scaffolding and in perpetual creative movement: building, renovating, elevating but also obliterating. With her illustrated drawings of people falling out of a crumbling maze and sculptures on the verge of complete disintegration, she toys with chance in hope to find new ways of keeping the viewer at an edge, hanging, predicting the outcome. As every work takes its form from the previous one, the order that once stood separate becomes systemised within chaos as a linear narrative in her works.

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