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Drawing, Ink on Paper
Size: 15.7 W x 21.7 H x 0.1 D in
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$2,180
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ABOUT THE ARTWORK
I love lighthouses because they spread light in the darkness, because they indicate the right path, because they save sailors in the dark sea. My working technique starts from the image project which I create through many sketches and preliminary studies. Subsequently I draw with pencil on paper and finally I complete everything with ink pens. Many hours of work are needed to complete a work, easily exceeding 200 or 300 hours. This way of drawing is beautiful but very risky, if you make a mistake you can't erase but you have to trash the work done and start again. If you want to see my working technique, go and visit my website (angelogueli) I have published videos where you can see the type of work I do.
Original Created:
2018
Subjects:
Materials:
Mediums:
DETAILS AND DIMENSIONS
Drawing:
Ink on Paper
Original:
One-of-a-kind Artwork
Size:
15.7 W x 21.7 H x 0.1 D in
Frame:
Not Framed
Ready to Hang:
No
Packaging:
Ships Rolled in a Tube
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Italy.
Customs:
Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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Please visit our help section or contact us.
Angelo Gueli (Gela, 1966) lives and works in Florence where he obtained a degree in architecture. His deep passion for drawing led him fo try his hand at various fields ranging from architectural planning to design, from sculpture to painting. His projects and works have been published in books and magazines. He has participated in national and international exhibitions. He has written books and articles on topics related to architecture and design. He has always considered drawing as the inevitable basis from which every story linked to visual arts can and must start. In his most recent works he uses the architect's graphic and cultural tools, combining a stubbornly dreamlike vision of the project with a pragmatic approach to the tectonics of buildings.
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