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Feet #1 Drawing

Giuseppe Alletto

Italy

Drawing, Charcoal on Wood

Size: 11.8 W x 15.7 H x 0.2 D in

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About The Artwork

In this drawing of mine, I have interpreted the lines of a model's foot, these lines so sinuous and so soft, as a visual metaphor of the Secret of the beauty of the female body. As in literature, the synecdoche, an extraordinary rhetorical figure, provides for the transfer of meaning from one word to another, relating a part to the whole, in the same way in this drawing the beauty of the lines of the female foot becomes a graphic metaphor of female beauty “tout-court”. The clear parts of the drawing stand on the background which appears almost flat as in a sacred representation, in an icon completely profane. I tried to capture a moment of the model's pose and, in general, a moment of ideal femininity. I imagined my model could be a tired woman, maybe after a long walk or a trip. She already had a brief meeting, maybe, but that had left her a little pensive, a little dumbfounded and then, by leaning somewhere in a moment of relaxation, she rests her left shoulder. She turns right she looks around for a moment and breathes deeply the air enters the nostrils her makeup is a little heavy but perfect time marks the passage from time dictated by the clock to the one dictated by our thoughts as the Ancient Greeks would say from the “Kronos” to the “Aion” she slightly raises her right leg she delicately slips her toes by caressing inside her shoe she stops her run on her own shoe that looks like a ramp, a sort of bridge at the end of the shoe itself the foot rises and forms a perfect arch on the right side of the image all these things I tried to translate into a drawing Feet n°1 Graphite and marker on panel 30x40cm 2018 Giuseppe Alletto

Details & Dimensions

Drawing:Charcoal on Wood

Original:One-of-a-kind Artwork

Size:11.8 W x 15.7 H x 0.2 D in

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Giuseppe Alletto (born in Palermo, 13 October 1990), Artist, lives and works in Sicily. He dedicates himself to Curatorial projects and Art critique too. He was featured in the March 2010 edition of the magazine ‘ARTE Mondadori’ and in the book ‘Tra Forma e Figura’ (Between Form and Figure) compiled by Paolo Levi. His work has been reproduced in the bi-monthly magazine ‘Effetto Arte’ (Art Effect) and in ‘Arte Shop Magazine’. He was featured on the cover of the first issue of the new magazine ‘OverArt’. His works constitute part of the iconography of volumes of poetry and prose by several authors. He was the winner of the Satura Prize in 2012, in the young artist category. One of his artworks became a part of the collection of Palazzo Steri in Palermo. He was featured on the cover of the September 2012 edition of "Arte Shop Magazine" and, within the magazine, an article by the artist himself discussed issues relating to contemporary art. Newspapers such as "Il Giornale di Sicilia", "Balarm", "Magaze", "La Sicilia" and television stations as "Tele One", “Tv 2000”, "RAI 3 Sicilia" have shown great interest in his works of art. Among the many art critics, university professors and artists or other representative figures of the cultural panorama who have shown great interest in his work: Alfonso Leto, Paolo Levi, Eva Di Stefano, Nino Buttitta, Natale Tedesco, Marco Carapezza, Andrea Guastella, Fiorenzo Carella, Piero Longo, Giovanni Lo Castro, Lia Ciatto, Salvo Ferlito, Dario Orphée, Alessandro Madonia, Salvatore Maurici, Franca Alaimo, Rita Pengo, Pippo Oddo, Francesco Mineo, Lina Maria Ugolini, Maria Patrizia Allotta, Enzo Buttitta, Marco Scalabrino, Maria Antonietta La Barbera, Gianmario Lucini, Elio Giunta, Diego Guadagnino, Tommaso Romano, Arrigo Musti, Vito Mauro, Rossella Cerniglia, Salvatore Di Marco, Giacomo Cuttone, Giuseppe Fumìa, Tommaso Serra, Nicola Romano, Riccardo Melotti, Giusy Sciortino, Ester Monachino, Gaetano Lo Manto, Maria Teresa Prestigiacomo, Flora Buttitta, Elisa Bergamino, Dante Cerilli.

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