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In Sol LeWitt's studio
They seem drawn in even in real life
Love to leave some areas blank
Empty space for dreaming
This Murano glass lamp!
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Flowers, LeWitt's treehouse, Chester CT Drawing

Mary Cinque

Italy

Drawing, Oil Pastel on Paper

Size: 22 W x 29.9 H x 0 D in

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$933

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About The Artwork

An oil pastel on Fabriano paper inspired by the beautiful place I am staying during my residency at Sol LeWitt's studio in Chester, CT. This is the apartment above the garage, or, as everyone calls it here: the treehouse, as it surrounded by beautiful trees and windows run on three of its four side and there are skylights on the floor so it's like being immersed in nature all the time! As you can image I am loving the amount of light here (every time I came in I wonder if I left the lights on but, no, it's just the natural light flooding in from above!) and the fact that during these full moon nights I feel like I am sleeping under the stars. But what it's most important is that Sofia took care of even the tiniest detail and made sure that everything is beautiful here. I promise nothing is "ugly" here, not even the bathroom sponges! I am so grateful to be surrounded by all this beauty that I had to pay homage to it, so I made this drawing of the flowers on the bedside table. And I do not usually like to draw flowers but these looked already like they have drawn by someone, they were so precise and clean. Having the chance to work in Sol LeWitt's studio is a huge privilege and the experience and growth goes behind the actual time spent in the studio, instead is made of all the people Carol and Bruce are introducing me to; the town, the rites (like going to the synagogue), the social gatherings like the Sunday market (a great place for people watching) and the chance encounters in town. All the artworks from this series are made on Fabriano 100% cotton paper that belonged to Sol LeWitt and that I have found in the studio that he designed and where he worked, in Chester, CT. I think this make them even more dear to me and more special.

Details & Dimensions

Drawing:Oil Pastel on Paper

Original:One-of-a-kind Artwork

Size:22 W x 29.9 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

"Mary Cinque is an Italian painter, graphic designer and blogger working and living in the Amalfi Coast. Her works – joyful, bright, colourful painting and drawings – are inspired by this place, as well as her heritage, background and travels. Mary spent her childhood between Italy and Ethiopia. Before moving back to the Amalfi Coast in 2019, she has lived in Naples and Milan, where she attended academies of fine art; and Philadelphia, New York and London where she improved her artistic skills and style. Alongside making art, she works as an illustrator and graphic designer, collaborating with selected brands, working on artistic commissions such as illustrations, labels and showroom design. Cinque’s art develops themes connected with what makes us essentially humans: our habitat – the buildings, the streets, the cities – our bodies, what we eat and how we socialise. Art, in Mary’s paintings, becomes a powerful instrument of philosophical investigation which reveals who we really are by questioning our habits, observing those characteristic traits we share as a species, often without realising it. The artist looks at human beings from a different perspective, making interesting and significant what can seem normal or banal to us in our everyday life: the buildings that populate our cities, the streets we walk, people sitting across our table at a café, strangers on the bus. In this nutshell interview by Giulia Corti, Mary Cinque explores some of the most relevant aspects of her art and reflects on how it offers an intriguing and informative perspective about the way we live as human animals. Mary, your art is colourful and vivid, it mixes human and urban subjects by making use of various techniques (oil painting; pastel drawing, markers, “digital” drawing, print-making etc.) and materials (canvasses, magazine pages, an I-pad screen). How do you choose the means with which to develop an artwork and how do the different materials and techniques influence what you want to convey, if they do? Different subjects call for different techniques. Buildings and urbanscape are always acrylic on canvas, while I prefer to depict people using a quicker, immediate approach, like the one that I can get with markers and oil pastels or digital painting. By looking at the main themes of your art, it is possible to notice what seems to be a tension. On one hand, you portrayed the stillness and artificiality of urban landscapes and buildings (e.g.

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