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Immobile Oblivion Drawing

Enrico Giulia

Italy

Drawing, Pencil on Toned Cotton Paper

Size: 10.2 W x 10.2 H x 0 D in

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$525

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About The Artwork

Hamadryads fascinate me a lot. Sometimes, when I'm immersed in nature, I imagine them as really existing and living within their trees. This hamadryas is partially inspired by my love of Waterhouse's work of the same name. My hamadryads is motionless. She lives suspended, perhaps chained, in a dilated time. The more I look at her, the more I wonder why. This drawing is made on a high quality, very durable and yet soft to the touch 100% cotton paper. The color of the paper is "cream", so I used a white pencil for the highlights. For the rest I used a regular graphite pencil. Face and body are inspired by a living fine arts model. Certificate of authenticity included.

Details & Dimensions

Drawing:Pencil on Toned Cotton Paper

Original:One-of-a-kind Artwork

Size:10.2 W x 10.2 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Enrico Giulia (1983) was born in Rome - Italy, where he still lives, and received his education across Italy, the Netherlands and Japan. His keen humanistic interests led him to obtain a PhD in Cultures of Africa and Asia (2013) while focusing on philosophy and religions. These are reflected in his aesthetic and poetic research in painting. Said research is for him an instrument of exploration and representation of what escapes univocal verbal definitions, such as the unfathomable character of being, and of the qualities of the sacred. Deeply fascinated by the Symbolist movement of painting, Enrico is currently focusing on creating images from personal visions and inner imagery. In order to do this, he draws inspiration from natural places and often starts his new paintings en plein air, surrounded by unspoiled nature, and finishes them in the studio . His subject matter mainly revolves around the themes of the unfathomable and the indecipherable in the individual and in nature, and in the relationship between the two. Enrico is an enthusiastic supporter of the recent revival of traditional painting techniques. Embracing this, he constantly studies, reproduces and draws inspiration from the great oil Masters in art history: from Raphael, Leonardo and Titian, to Rembrandt, Corot and Waterhouse. A lover of gentle lines and harmony in shapes and colours, he considers himself to be an aesthete, and is always looking to create shapes and compositions that please the eye and invite the mind to explore and wander.

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