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Lulu – 21-07-23 Drawing

Corné Akkers

Netherlands

Drawing, Graphite on Paper

Size: 8.3 W x 11.1 H x 0.1 D in

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ABOUT THE ARTWORK

Relaxing Times This graphite pencil drawing ‘Lulu – 21-07-23 is definite proof of a true and livelong obsession. She’s not in harm’s way though. My love for her is gentle and well, she’s out of my league anyway. In fact, she’s of my grandmother’s generation. That doesn’t mean she doesn’t live forever. She does and that’s why I continue to portray her, not in the least discovering this lovely photo. After the last one, being her portrait, I wanted to try something new. The majority of her pictures online show her iconic pose with the bob haircut and rigid gaze. This time I wanted to have her relax a bit. After all, the girl had a rough life. Why don’t I have her lay down this time? Added Value The reference picture was attractive because of its hefty tonal play. Just my piece of cake of course. The attire she wears is brilliantly shimmering just like the spindles of the couch she reclines on. The key question is what I could attribute to what wasn’t there in the first place? You have to know, artists are all about making attempts to add value to what already exists. To portray something by sheer copying isn’t fun at all. I want to contribute something without becoming pedantic of course. Scrutinizing the photo I soon realized I couldn’t make too much cubist abstractions, only a bit. That’s just how this played out, I guess. I think I managed to squeeze some abstract forms in. For example by letting her arm flow into the seat of the chaisse longue. Graphite pencil (Faber Castell Pitt Graphite Matt pencil 14B) drawing on Fabriano Ingres paper (21 x 28.2 x 0.1 cm) Artist: Corné Akkers

DETAILS AND DIMENSIONS
Drawing:

Graphite on Paper

Original:

One-of-a-kind Artwork

Size:

8.3 W x 11.1 H x 0.1 D in

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1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.

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