153 Views
2
View In My Room
Drawing, oil pastel on Paper
Size: 11.7 W x 16.5 H x 0.1 D in
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153 Views
2
Showed at the The Other Art Fair
Artist featured in a collection
Here we were at The Bar at Mare Street Market, a wonderful place in east London that had just opened few weeks before and that since reading about it it has been on my list as it wasn't far from home and because I've read so many great things about the decor. I think they also won a prize for one of the most beautiful restaurant, later in the year. Anyway, when we finally got there I took so many pictures and I am particularly happy with this scene, where the bar is the main focus. I personally do not enjoy drinking that much, but I have to admit that since moving to London I discovered how great an art is the one of preparing cocktails. The craftsmanship, the attention to detail, the colours of the concoctions and their names never fail to excite me. The oil pastel technique is still my favourite at the moment for this kind of series and I am very pleased with the way these Sennelier oil pastels rendered the entire scene and atmosphere. I hope this feeling could travel from this drawing to your place. This is a very significant artwork for me as it is one from the many I made during the Covid 19 lockdown in Italy. Being forced home I went through all the photographs I took during the three years I've been living in London and made oil pastel on paper inspired by them. Making this series has been great for me as it gave me the chance to feel all the emotions I felt while I was in London, a city that I love. Most of the photographs were taken in restaurants as my boyfriend was working as a chef at the time and I am always in for dining out and enjoying new places where I can sketch people immersed in beautifully curated interiors.
2020
oil pastel on Paper
One-of-a-kind Artwork
11.7 W x 16.5 H x 0.1 D in
Not Framed
Not applicable
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"Mary Cinque is an Italian painter, graphic designer and blogger working and living in the Amalfi Coast. Her works – joyful, bright, colourful painting and drawings – are inspired by this place, as well as her heritage, background and travels. Mary spent her childhood between Italy and Ethiopia. Before moving back to the Amalfi Coast in 2019, she has lived in Naples and Milan, where she attended academies of fine art; and Philadelphia, New York and London where she improved her artistic skills and style. Alongside making art, she works as an illustrator and graphic designer, collaborating with selected brands, working on artistic commissions such as illustrations, labels and showroom design. Cinque’s art develops themes connected with what makes us essentially humans: our habitat – the buildings, the streets, the cities – our bodies, what we eat and how we socialise. Art, in Mary’s paintings, becomes a powerful instrument of philosophical investigation which reveals who we really are by questioning our habits, observing those characteristic traits we share as a species, often without realising it. The artist looks at human beings from a different perspective, making interesting and significant what can seem normal or banal to us in our everyday life: the buildings that populate our cities, the streets we walk, people sitting across our table at a café, strangers on the bus. In this nutshell interview by Giulia Corti, Mary Cinque explores some of the most relevant aspects of her art and reflects on how it offers an intriguing and informative perspective about the way we live as human animals. Mary, your art is colourful and vivid, it mixes human and urban subjects by making use of various techniques (oil painting; pastel drawing, markers, “digital” drawing, print-making etc.) and materials (canvasses, magazine pages, an I-pad screen). How do you choose the means with which to develop an artwork and how do the different materials and techniques influence what you want to convey, if they do? Different subjects call for different techniques. Buildings and urbanscape are always acrylic on canvas, while I prefer to depict people using a quicker, immediate approach, like the one that I can get with markers and oil pastels or digital painting. By looking at the main themes of your art, it is possible to notice what seems to be a tension. On one hand, you portrayed the stillness and artificiality of urban landscapes and buildings (e.g.
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