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"Mary Margaret Sat on a Tac, Mary Margaret Rose." Drawing

Sarah Hunter

United States

Drawing, Graphite on Paper

Size: 6 W x 6 H x 0.1 D in

Ships in a Box

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Graphite drawing from 2016. The title is taken from a phrase my late mom mom would recite from time to time. Her memory plays into the conception of this piece. Drawing will arrive unframed in a museum board folder.

Year Created:

2016

Subject:
Mediums:

Drawing, Graphite on Paper

Rarity:

One-of-a-kind Artwork

Size:

6 W x 6 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Need more information?

Born Philadelphia, 1983 ____________________________________________________________________________________________ Sarah Hunter is a Philadelphia based artist. She received a Certificate in Painting from the Pennsylvania Academy of the Fine Arts and a BFA from the University of Pennsylvania. Currently, Hunter lives and works out of her attic apartment in the company of her cats, Betsy and Pancakes. ____________________________________________________________________________________________ My drawings and paintings are inspired by the traditions of still life and landscape genres. The work is striving for material control and layered conceptual meaning. Through precise detailed renderings of specific source objects I aim to create surreal narratives which speak to the absurd within the serious and the serious with in the absurd. The worlds I paint are intended as momentary glimpses into situations in flux within a world similar to ours, but in some way skewed. Like environments found in the natural history diorama, these worlds are based in the presentation of static objects that ask the viewer to imagine the past and future of a moment forever witnessed.

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