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No1 Drawing

Osvaldo Sequeira

Costa Rica

Drawing, Charcoal on Paper

Size: 30 W x 22 H x 1 D in

Ships in a Tube

SOLD
Originally listed for $720

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Drawing on paper This piece is part of the Kinematic series: it shows the movement of the human body and how the time makes movement happen.

Year Created:

2016

Subject:
Medium:

Drawing, Charcoal on Paper

Rarity:

One-of-a-kind Artwork

Size:

30 W x 22 H x 1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Costa Rica.

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Need more information?

I am an artist from Costa Rica, Central America. I graduated University of Costa Rica, Fine Arts. --------------------------------------------------------------------------------- Osvaldo Sequeira (b.1969, Costa Rica) is one of new emerging painters in Costa Rica. Since I saw the work of Osvaldo Sequeira for the first time, back in the 90's, where he showed a series of woodcut print work at the coffee shop of Costa Rica National Theatre, I glimpsed a restless artist for the human figure and its expressiveness, mourning figures and sharp strokes in a dense environment of permanent distress, showed a young artist hungry to work the human figure and unmask mysteries and passions. Years later, I found out that that search remained latent, to fit in his other profession, graphic design and digital animation. Fortunately I see that this search was resumed in 2015 and it comes with such strength as the years it was contained. He shows us part of his current work with the series entitled Kinematics, in which expressionist treating of human figure and color are the outstanding issue. We can say that his work as a digital animator is present in its plastic work, as the leitmotif of this series is the kinetic movement and as he himself defines it "this is an essay about movement of human figure in a given time." This work determines, to my way of seeing things, the rebirth of an artist who was dormant for 16 years and brings us today this work full of expressive force as letting loose a dam that has been contained. “Kinematics” does not have a better name to show us a restless artist full of strength and movement. Umberto Castagneda - art critic.

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