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Drawing, Pencil on Paper
Size: 8.3 W x 11.2 H x 0 D in
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Featured in the Catalog
Showed at the The Other Art Fair
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Organic graphic drawing monochrome on black paper 150g 28,4 x 21 cm. Signed on the back. Part of my new series "Organic Monochrome". It is a minimalist and monochromatic representation of our relationship to nature. A study of contrast and entanglement between surface and depth which expresses all the complexity of this Nature as beautiful as it is intelligent. Featured in the collections: - "Get the Look: Precious Metals" Canvas blog December 13, 2016 Posted by Daryl Gammons-Jones - "Original Drawings for $1000 and Under" curated by Evangelyn Delacare (2016). - "Small Is Beautiful: Small Works for $1000 and Under" curated by Jessica McQueen (2016). - "Curated Salon Wall: High Contrast Neutrals with Golden Accents" curated by Jessica McQueen (2016). - "Inspired by Gustav Klimt" curated by Jessica McQueen (2016).
Drawing:Pencil on Paper
Size:8.3 W x 11.2 H x 0 D in
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
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The work of Marijah Bac Cam questions the Memory of the Living through the Languages of the Feminine Principle (creative principle of Nature) by means of drawing, painting and increasingly photography and video. What does this chaos of fullness and emptiness mean, enhanced with dots, curves, golden wefts and gestural writing? In the artist's painting we perceive a Living being organized before our eyes, starting with the diffusion of black ink. These dark masses mingle with another color to symbolize the different elements, air, water, fire, earth, ether. Suddenly an organic mesh forms on the surface, connected to the misty depth. It is a question of reversal, as if to lead our gaze towards an inner world, that of the organs, tissues, vessels of an unrepresented body. These drawings express more sensibly an intuitive word in a vegetal and vibratory atmosphere that are our buried memories. They are the representation of the original past in a form that is no longer mental but metaphorical. Graffiti sometimes float here and there, like a palimpsest as if to inscribe a forgotten verbal dimension and question the meaning of forms. Her work evokes images that are almost figurative but difficult to identify. It's a question of everyone's point of view, seen from the sky or underwater, in macro or even in a wide shot. This collective memory seems to define and tell terrestrial and extra-terrestrial landscapes. Does Nature have a universal language that hides in our memory?
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