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"Sacred Cow" Drawing

Jim Youngerman, United States

Drawing, Chalk on Paper

30 W x 23 H in

Ships in a Crate

This work will ship in a secure wooden crate. Read More

$3,840

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

A skeleton-like figure approaches a dense field of grass; beyond lays a vast desert. This compelling image is both enigmatic and wondrous.

Year Created:

2015

Subject:
Mediums:

Drawing, Chalk on Paper

Rarity:

One-of-a-kind Artwork

Size:

30 W x 23 H x 1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Need more information?

I make art to try to understand and illuminate levels of awareness and consciousness in relation to the world in which we live. So my paintings essentially become blueprints of my psyche; a visual map of my internal conflicts and complexities. I use simple lines in a lyrical, figurative, quasi cartoon style to paradoxically get at these deeper truths. One way in which I accomplish this is by juxtaposing people and animals in perplexing situations. In doing so, I explore dualities and commonalities. I make these works on paper one step at a time; never having a preconceived idea of where things will go. This stream of consciousness approach produces compositions with juxtapositions of people, places and objects, often intended to exist within ambiguous timeframes. My medium has evolved over the years, but I have always used medium to achieve my ends, not to try to find meaning in the medium. It’s not about letting the paint speak or trying to find meaning in the pencil itself, rather, it’s about using various mediums to reinforce and illuminate the narrative which I’m putting forth.

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