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From the flat files: an oil pastel drawing on paper from 1996 depicting a scarlet red hyacinth bulb in a forcing vase on a Kartell table illuminated from above by a Flos hanging lamp on an aqua blue background. Feel free to make an offer on this older work, I need to finance new work. At a basic level, my practice has always centered around documenting my life. Early on I realized how the things we choose to surround ourselves are a reflection of self. Inanimate objects have always been surrogates for the figure in my work. I tend to compartmentalize the elements in my compositions and thus create a conversation between objects. Mid-century modern design has influenced my work significantly as I collect design items from that period. Simple, clean lines, balance, and organic materials are characteristic of modernism. I approach my compositions as a design process similar to that of a product designer. My work straddles between objective and abstraction. My early practice consisted of representational still life and interior subjects. During Graduate School my work shifted to complete non-objective imagery. In the last two years, I have revisited the natural world through depictions of botanical and still life objects while bringing abstract elements to the work. Flattening space and objects, mixed media, and masking are examples of techniques I applied from the abstract work to my representational pieces. Botanicals became a logical progression away from non-representational work due to their inherent free form and abstract structure. Depicting collections of houseplants creates the narrative structure in the work. Various plant stands have become a recent fascination while in turn a way of organizing the compositions. Image is on heavyweight smooth watercolor paper with 1" paper white border. Shipped rolled in a heavy duty tube, signed, dated, and titled on the back.
From the flat files: an oil pastel drawing on paper from 1996 depicting a scarlet red hyacinth bulb in a forcing vase on a Kartell table illuminated from above by a Flos hanging lamp on an aqua blue background. Feel free to make an offer on this older work, I need to finance new work. At a basic level, my practice has always centered around documenting my life. Early on I realized how the things we choose to surround ourselves are a reflection of self. Inanimate objects have always been surrogates for the figure in my work. I tend to compartmentalize the elements in my compositions and thus create a conversation between objects. Mid-century modern design has influenced my work significantly as I collect design items from that period. Simple, clean lines, balance, and organic materials are characteristic of modernism. I approach my compositions as a design process similar to that of a product designer. My work straddles between objective and abstraction. My early practice consisted of representational still life and interior subjects. During Graduate School my work shifted to complete non-objective imagery. In the last two years, I have revisited the natural world through depictions of botanical and still life objects while bringing abstract elements to the work. Flattening space and objects, mixed media, and masking are examples of techniques I applied from the abstract work to my representational pieces. Botanicals became a logical progression away from non-representational work due to their inherent free form and abstract structure. Depicting collections of houseplants creates the narrative structure in the work. Various plant stands have become a recent fascination while in turn a way of organizing the compositions. Image is on heavyweight smooth watercolor paper with 1" paper white border. Shipped rolled in a heavy duty tube, signed, dated, and titled on the back.
From the flat files: an oil pastel drawing on paper from 1996 depicting a scarlet red hyacinth bulb in a forcing vase on a Kartell table illuminated from above by a Flos hanging lamp on an aqua blue background. Feel free to make an offer on this older work, I need to finance new work. At a basic level, my practice has always centered around documenting my life. Early on I realized how the things we choose to surround ourselves are a reflection of self. Inanimate objects have always been surrogates for the figure in my work. I tend to compartmentalize the elements in my compositions and thus create a conversation between objects. Mid-century modern design has influenced my work significantly as I collect design items from that period. Simple, clean lines, balance, and organic materials are characteristic of modernism. I approach my compositions as a design process similar to that of a product designer. My work straddles between objective and abstraction. My early practice consisted of representational still life and interior subjects. During Graduate School my work shifted to complete non-objective imagery. In the last two years, I have revisited the natural world through depictions of botanical and still life objects while bringing abstract elements to the work. Flattening space and objects, mixed media, and masking are examples of techniques I applied from the abstract work to my representational pieces. Botanicals became a logical progression away from non-representational work due to their inherent free form and abstract structure. Depicting collections of houseplants creates the narrative structure in the work. Various plant stands have become a recent fascination while in turn a way of organizing the compositions. Image is on heavyweight smooth watercolor paper with 1" paper white border. Shipped rolled in a heavy duty tube, signed, dated, and titled on the back.
From the flat files: an oil pastel drawing on paper from 1996 depicting a scarlet red hyacinth bulb in a forcing vase on a Kartell table illuminated from above by a Flos hanging lamp on an aqua blue background. Feel free to make an offer on this older work, I need to finance new work. At a basic level, my practice has always centered around documenting my life. Early on I realized how the things we choose to surround ourselves are a reflection of self. Inanimate objects have always been surrogates for the figure in my work. I tend to compartmentalize the elements in my compositions and thus create a conversation between objects. Mid-century modern design has influenced my work significantly as I collect design items from that period. Simple, clean lines, balance, and organic materials are characteristic of modernism. I approach my compositions as a design process similar to that of a product designer. My work straddles between objective and abstraction. My early practice consisted of representational still life and interior subjects. During Graduate School my work shifted to complete non-objective imagery. In the last two years, I have revisited the natural world through depictions of botanical and still life objects while bringing abstract elements to the work. Flattening space and objects, mixed media, and masking are examples of techniques I applied from the abstract work to my representational pieces. Botanicals became a logical progression away from non-representational work due to their inherent free form and abstract structure. Depicting collections of houseplants creates the narrative structure in the work. Various plant stands have become a recent fascination while in turn a way of organizing the compositions. Image is on heavyweight smooth watercolor paper with 1" paper white border. Shipped rolled in a heavy duty tube, signed, dated, and titled on the back.

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26

View In My Room

Original
Prints

Scarlet Hyacinth Drawing

Michael Pfleghaar

United States

Drawing, Oil on Paper

Size: 22 W x 22 H x 0.1 D in

Ships in a Tube

$640

Shipping included

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418 Views

26

Artist Recognition
link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

An oil pastel drawing on paper from 1996 depicting a scarlet red hyacinth bulb in a forcing vase on a Kartell table illuminated from above by a Flos hanging lamp on an aqua blue background. At a basic level, my practice has always centered around documenting my life. Early on I realized how the th...

Year Created:

1996

Subject:

Floral

Styles:

Abstract

, 

Fine Art

, 

Modern

, 

Minimalism

, 

Realism

 

Mediums:

Oil

, 

Paper

 

Medium:

Drawing, Oil on Paper

Rarity:

One-of-a-kind Artwork

Size:

22 W x 22 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Contact us.

Need more information?

Contact us.

I am an artist who lives and works in Grand Rapids, Michigan. Featured in New American Paintings #173. My profile features a selection of original paintings, sculptures, and digital drawings. This is my vocation and the way I earn a living so I do not accept offers on my work, thank you for your support. Contact me for availability of larger works.

Artist Recognition
Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Chicago, Chicago, Los Angeles, Chicago

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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