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Solarized Roundism – 16-06-23 Drawing

Corné Akkers

Netherlands

Drawing, Graphite on Paper

Size: 11.7 W x 8.3 H x 0 D in

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About The Artwork

Let It Rest This graphite pencil drawing ‘Solarized Roundism – 16-06-23’ I started quite some time ago. Directly after A Non AI-Driven Neo Deco Celebrity Nude -09-03-23 I felt like drawing landscapes again. Consequently I decided to immediately put the work on hold. Next to that I I already had some solarised projects finished and frankly I felt a bit bored. The last one in the Solarization Series was quite alright though. However, sometimes you have to let it rest for a while and return it much later. Now, after depicting sceneries, urban settings and nature it was time for rounding this one up. In fact, I was quite inspired to finish it now I had some ideas on how to render the bodily features. Singularity Painting ‘Neo Deco – 10-06-23’ was fun and it brought me on the path of my theory of singularity again. In short, it comes down to an attempt of showing the infinity of, in and beyond forms. The curve approaching but never touching a straight line symbolizes this principle. I made it my trademark a couple of years back and I hope people subconsciously will catch my drift. Simply liking the art work is enough for me then. I know not everybody will read this art statement. This having said the singulary structures in the oil were profoundly depicted. What if I would employ them much more subtle in this roundistic work at hand? Hotchpotch of Styles And so it came to be I abstracted the forms of the body more than in the initial stage. Not as much as in the painting though. The challenge was to beget a beautiful female form but more abstracted than it lets on. The trick is the sheets aren’t; in fact they are quite realistic. On the other hand both nude and sheets are united in their solarised appearance. Long live Man Ray for his invention. How would you categorize this one? Surrealism, cubism, roundism, art deco or what? Graphite pencil (Faber Castell Pitt Graphite Matt pencil 14B) drawing Talens Bristol paper (21 x 29.7 x 0.1 cm) Artist: Corné Akkers

Details & Dimensions

Drawing:Graphite on Paper

Original:One-of-a-kind Artwork

Size:11.7 W x 8.3 H x 0 D in

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1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.

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