Sweet candy bad girl Drawing

Set designer and cartoonist, Valentina Guadagnucci's artistic vision is rather dark, with contemporary themes that push the accelerator on the most frightening aspects of our time. The inner fragility of the artist Guadagnucci needs to be manifested in his works to be able to be strengthened in the very gesture of showing his weaknesses and fears, sharing them openly. Fears that there are contemporary and that represent the shadows and the few certainties, wobbly, uncertain destiny that meets the generation of means to which the artist belongs. Valentina Guadagnucci's training ranges from set design to comics and so the techniques she uses to create her works have no closed borders: the artist moves between oil colors and pantone, and in plastic arts does not disdain the ready-to-wearmade to embody the current scenario. The horror film director Dario Argento has always maintained that his cinema is needed to exorcise his fears, because to find them materialized in front is a sure way not to fear them anymore. The same thing must be for this artist who admits to having spent a long period of his life in artistic inactivity because of the difficulties encountered when he was younger. But from this empasse of lived life is resurfacing through art, with a series of works born with the task of giving matter to its remoteness forced by creativity, then by the deepest expression of the soul, The one who can really heal the difficult wounds of our journey. From the Psychoexperimental period to Pictography This period that the artist herself defines as psychoexperimental is a period that well characterizes a part of her life and her path not only stylistic but and above all psychological, hence the term psychoexperimental. The beginning can be identified in a precise moment that corresponds to March 2018 when one night Valentina is suddenly awakened by the strong desire to... Art. Expressing himself, telling himself, freeing his life and his vision of the inner and outer world according to his own vision, through what he loved to do from an early age, painting, activities that for various vicissitudes had abandoned by now 4 years. At this time of his life Valentina lived great inner torments because of the events that had characterized the last decade of his life. The Roman years had been very difficult and rich in troubles but a great school of life. The same artist stated on several occasions "The Roman years...