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Drawing, Ink on Cardboard
Size: 11.8 W x 16.8 H x 0.1 D in
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Artwork inspired by a Venetian legend according to which, in the depths of its lagoon, a terrible sea monster apparently dwells, frightened only by the gondoliers who, with their long oars, are said to symbolically pose a threat to the hideous creature. The constant presence of gondoliers plying the lagoon thus prevents the dragon from rising to the surface, whose frustration and rage seems at times to be vented by emitting powerful blasts, turned into a thick blanket of fog that envelops Venice, also known as "Serenissima." The color red, with which the work is most imbued, is symbolic of the lagoon city in honor of Venice's victory over the dragon of heresy and apostasy: red recalls the blood of the dragon killed by St. George, which dyed not only the saint's cloak but also the entire island.
2023
Ink on Cardboard
One-of-a-kind Artwork
11.8 W x 16.8 H x 0.1 D in
Not Framed
No
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Italy.
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Since my childhood I have been painting and drawing as an absolute vocation for life: being an artist is everything to me. During my forty or so years of experience, I have developed my artistic style. This is supported by a solid figurative base also coming from the study of Greco-Roman art, but I have completely interpreted it in a contemporary key, ranging from portraits to sacred art, from painting on canvas, wood, leather, ceramics and wax to wall paintings. I often use oil paints, acrylic temperas, enamels, pencils, ink and charcoal, inserting my style in what some critics of art define as "Contemporary Renaissance". However It is a language characterized by new creative impulses that can make the universal canons of beauty or the intense depth of the artistic idea and concept current. The particularity of my work emerges not only from my conspicuous activity of painting mostly inspired by the world of music and theatre (organizing several solo, group and permanent exhibitions in Italy and abroad), but also in the ability to express myself in other well-defined figurative worlds: imaginary portraits, paintings for Historical Reenactments called "Palio", artistic works for Haute Couture Houses and Publishing Houses and even the publications of my poems. In my imaginary portraits I have given a face to some physically unknown historical characters belonging to the cultural and religious world just through literary information, interpreting them as people of our time with the customs of their time. With regard to the paintings related to Historical Reenactments (Palii, plural of "Palio"), I have taken commissions from institutions or foundations of about 90 different Italian cities, allowing me to obtain the record of 120 artworks created for as many historical events. I have also worked with Haute Couture Houses (Roberto Cavalli and Prada) for many years accomplishing artistic hand painted works on finished clothing, for several collections. I have also edited artistic representations for many publications such as the series "Artusi'', the covers of the poetic volumes "El árbol del conocimiento" and "Los caprichos de la luna" in Madrid (Pigmalion Edypro) and "Codice interiore" (Cantagalli Editor) in Siena, winner of the First International Literary Prize "Spoleto Festival Art"in 2013.
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