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The Family, close up
Going back in time and trying to paint a memory of family life. This is a drawing on 200grs Conservabarth drawing paper with gouache, colour pencil, Posca marker and a little acrylic paint. It is signed on the back (I don't like my signature on the front of my work since it interferes with it).
This is not my family. I am fascinated by posing for pictures and how awkard people back in the days were about it. In this time of selfies and camera awareness I relish the sincerity of these scenes.

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The Family Drawing

Astrid Oudheusden

Netherlands

Drawing, Gouache on Paper

Size: 19.7 W x 25.6 H x 0.1 D in

Ships in a Tube

SOLD
Originally listed for $875

617 Views

27

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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Going back in time and trying to paint a memory of family life. This is a drawing on 200grs Conservabarth drawing paper with gouache, colour pencil, Posca marker and a little acrylic paint. It is signed on the back (I don't like my signature on the front of my work since it interferes with it). This...

Year Created:

2017

Subject:
Mediums:

Drawing, Gouache on Paper

Rarity:

One-of-a-kind Artwork

Size:

19.7 W x 25.6 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

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Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Netherlands.

Need more information?

Need more information?

Astrid Oudheusden - Lochem, 1967 Elektronstraat 12, 1014 AP Amsterdam, Netherlands +316 445 66 004 Since finishing art school I dedicated my time to painting. It was my strongest desire to unravel all the secrets of oil paint. Now, the secrets seem to grow, as is often the case with them... Oil paint is the hardest medium for me. With acrylics, inks and other stuff I have no trouble at all. Must be the reason why I keep being drawn to the oils. Being a painter offers me the possibility to watch the world, its people and turn all these observations into small theatrical settings. (I had to chose between becoming a painter and an actress) I love watching people, listen to them and transform all that into one painting or drawing. Often I become obsessed with a subject: portraits, puberty, lonely women, office workers. The only way to handle the obsession is to paint. I've painted a lot of series altogether: Thousand Faces, Americans, Heroes, Puberty, Women with Dogs, Office Heroes. At the moment I am working on a series called Nothing Personal. My work is created in a big studio at the outskirts of Amsterdam, close to the city centre, but with enough distance to guarantee a calm and silent worksphere. From my windows I see the gigantic ships in the harbour and the cloud factory!

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