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Netherlands
Drawing, Graphite on Paper
Size: 8.3 W x 5.8 H x 0 D in
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Clueless as to Female Forms This graphite pencil drawing ‘The Magere Brug in Amsterdam – 09-11-23’ is rather realistic looking but let me explain why. Of late I started sketching urban sceneries and landscapes again. St.-Bavo in Haarlem – 03-10-23 was the first one in a while. In the meantime I am racking my brain on what to do with the female form next. Art Deco, neo deco, roundism and/or cubism paired to surrealism and impressionism, I don’t know. I have made so many of them. It’s only natural to shift from bodyscapes to landscapes and back once in a while. There’s also another reason. I started again with my In Hoc Signo painting. Lots of work to do. Creating these A5-size sketches is a break from the grand tale I try to play out on wood panel. Amsterdam Trip This having said, there are plenty of artistic motifs to work out. A graveyard of pictures in my archive I took throughout the years, doing citytrips and walking in nature. So it happened I walked out the Hermitage Amsterdam one time, now called H’Art. There I visited a Rembrandt and other old 17th century dutch old masters exhibition, coming from St. Petersburg. Going for a bite-to-eat in the centre I had a lovely view on the Magere Brug (Skinny Bridge) afterwards. In the back the Amstelsluizen were visible and behind them the Sarpathistraat. I liked the stacked outlook of all three structures and thought I’d turn it into a drawing one day. That was this day. Graphite pencil drawing (Sakura 0.5 mm, 4B) on Winsor & Newton paper (21 x 14.8 x 0.1 cm – A5 format) Artist: Corné Akkers
Drawing:Graphite on Paper
Original:One-of-a-kind Artwork
Size:8.3 W x 5.8 H x 0 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Netherlands.
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Netherlands
1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
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