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Time Devours All Things Drawing

Faustus Crow

Drawing, Pencil on Paper

Size: 5700 W x 7200 H x 0.1 D in

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About The Artwork

The Fiftieth Succubus archetype of the Fallen Anima is mantra named, Furcas. She is otherwise known as the cannibal Witch, Baba Yaga, or alternatively called Dolcetta. She has many names. Furcas is a Knight, and appears as a Surrealist vision of a raven haired Goth girl wielding sharp weapons in her hands, while cooking up a cannibalistic dish in her Witch kitchen. She is visualised having dominion over a pale-skinned sweet-meat pony-girl, who is about to be sacrificed; for Furcas symbolically represents the process of time, which is all consuming. As Ovid once related," Tempus Edax Rerum," meaning, “Time devours all things.” Her Art Muse office points at separate ancient symbolic threads of evidence with her discerning Roman (furca) fork and Aztec meat cleaver, each of which poses its own mystery, such as the identification of the cosmic centre with the axis-mundi of the star clock sky, having the planet Saturn (Chronos) as a founder of a prior Golden Age. Notes: The A4 size Pop Surrealist Artwork was commissioned by eroticmadscience.com. The abstract symbol/seal of Furcas seen in the Artwork is derived from the medieval grimoire, entitled the Goetia. The classical grimoire description of Furcas originally described an Incubus archetype of the deified Animus made as a God/Devil. The classical description has been modernised as well as reversed towards that of an archetype of the Fallen Anima.

Details & Dimensions

Drawing:Pencil on Paper

Original:One-of-a-kind Artwork

Size:5700 W x 7200 H x 0.1 D in

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Mardun is principally a Surrealist Artist, whose author's name is Faustus Crow; but both art and writing alchemically merge of a sacred wedding. Mardun has an experiential interest in lucid dreaming, which of a neurological phenomenon has inspired artists and authors throughout the ages, from whose creations since the time of the painted cave wall of a Shaman have sprung insights into the nature of reality, which became ensuing mystical traditions, such as the occultism of Aleister Crowley to that of the Surrealist 'fantasy fiction' of H.P Lovecraft. Mardun does not see a division between the practices of art and magic; for both practices deal with symbolism, which is the subconscious language form of surrealist dreams and of your fantastic Imagination, which also inspires your culture.

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