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Detalle de la obra
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Detalle de la obra
Detalle de la obra
Detalle de la obra

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masculine 2 Drawing

Bibiana Ulanosky

Spain

Drawing, Pencil on Paper

Size: 13.6 W x 19.7 H x 0.1 D in

Ships in a Tube

$595

Shipping included

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708 Views

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

I like to draw nude models. The line draws itself, it is my hand that develops it, not my reason. I have a very strong line, sometimes the pencil breaks. The line outlines the body, it intertwines, a man appears. It is a surprise that these intertwined lines that seem to dance suddenly freeze and th...

Year Created:

1997

Subject:
Mediums:

Drawing, Pencil on Paper

Rarity:

One-of-a-kind Artwork

Size:

13.6 W x 19.7 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Spain.

Customs:

Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Born in Argentina, Bibiana Ulanosky has been immersed in creative expression since early childhood. Alongside her long-standing career as an architect with her own practice, she has developed a rich and deeply introspective body of work in painting and drawing. Her artistic inquiry centers on femininity and identity. In series such as She, Venus, Woman, and Nymphs, Ulanosky explores the complexities of female sexual identity—merging figuration and abstraction to evoke strength, vulnerability, and transformation. Her landscapes, vivid in color and rhythm, consistently revolve around the motif of the path—not just as a visual element but as a metaphor for emotional and existential movement. These works exist in a state of flux, suggesting temporality, memory, and personal narrative. Ulanosky’s expressive power is evident in the confident line of her drawings and the gestural force of her brushwork. As art critic Mario Kohan has observed, her images seem to radiate from the canvas with an inner light, charged with emotional and spiritual intensity. Despite a lifetime of uninterrupted creation, Ulanosky has intentionally placed art-making above self-promotion. Only in recent years has she begun to actively share her work—offering collectors and curators a unique, mature voice within the contemporary art scene.

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