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Discoteque Chihuahua Artwork

Teo Spiller


Mixed Media, Acrylic on Paper

Size: 18.5 W x 13 H x 0.4 D in

This artwork is not for sale.
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About The Artwork

Spiritualiy makes us different from animals, but the entertainment industry nowadays addresses our most basis instincts, mudding everything deeper. Never has glamour been so glorified as nowadays. Moral values mean nothing and it doesn't matter how you got you money. Expensive cars, lovely girls, fancy places and intoxicating substances became the meaning of life. Painting is older than any other human activity, which is not essential for survival. But to make it feel contemporary, it may not feel in harmony, it shouldn't be harmonic. It must be somehow interrupted, raped, teared apart. It must support the notion of the superiority of our civilization, of the victory over the nature. But watching the environmental disaster we caused, it's obvious that our "fast food" solutions are far too simple minded to compete with the way that things in nature came in balance in millions of years.

Details & Dimensions

Mixed Media:Acrylic on Paper

Original:One-of-a-kind Artwork

Size:18.5 W x 13 H x 0.4 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I use machines to create art, wondering if machines will one day understand my art. Computers, mobile phones and robots are strongly getting into our minds. We are more and more behaving like machines, while Intelligent devices are more and more behaving like humans. Once there might be no difference between the machine and the human at all. I examine different forms our technology based society takes, and the motives that lie behind it. I use the copy-paste culture, post-production and modularity as the common denominators of the digitized worlds. Altering them is a way of questioning the attitudes, fears, unwritten rules, opportunities and dangers which have formed that environment and our behavior within it. Aesthetics and ontology of my work are strongly related to my working process. I take icons, symbols and other entities from the mediated reality and combine them in algorhytmic ways. I strive to convey that sense of algorhytmic simplicity by capturing its algorhytmic language.

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