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"PXL porn 2.2 - Limited Edition of 2" Artwork

K Friidrix, Switzerland

Mixed Media, Algorithmic Art on Paper

89.4 W x 52.6 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$1,589

Shipping Included

Trustpilot Score

Artist Recognition

ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


This mixed media artwork, "PXL porn 2.2," is a limited edition of just two. A sequence of manipulated portraits, some with and some without heads, it's a powerful piece of algorithmic art that blends new media, video, and photography into a compelling visual experience. The artist masterfully combi...

Year Created:

2018

Subject:

Mediums:

Mixed Media, Algorithmic Art on Paper

Rarity:

Limited Edition of 2

Size:

89.4 W x 52.6 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Switzerland.

Need more information?

Contact us.

Need more information?

Contact us.
K Friidrix

About the Artist

K Friidrix

Switzerland

The Selfie as contemporary art form is one of my major missions.

Eclectic from explicit to abstract and back, often manipulating outtakes and random shots. iNspired bei Fluxus and Art Brut I consider myself a digital naive trying to transcend primal acts with some numerical symbols of an updated tribalism.



The tools of my trade are smARTphones and computer.

My atelier is in the cloud - I am a 21st century artist.

My work mainly explores the human body not as an idealized image but as a site where cultural myths, biological reality and lived experience intersect.

Methodologically, my practice is driven by contingency as an aesthetic resource. I frequently work from video outtakes, transitional moments, accidents and unintended gestures—those brief instants when performance breaks down, roles collapse and the body reveals configurations that deliberate posing rarely produces. Through successive stages of abstraction and reinterpretation, these contingent moments lose their documentary function and acquire new meanings. My interest lies less in illustrating reality than in discovering visual forms that emerge precisely where intention, control and representation begin to fail.

Recognition:

  • Artist featured in a collection

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