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I'm dealing with the aesthetics and visual phenomena of the digital age. This painting (which stands of a black canvas and three white meshes) recalls and highliths the interference caused by pixels. We can think of it, as an attempt of a naive human being to figure out what is going on in these wholely different, semi-phisically-existing, semi-alive creatures - called screens - when meaning and depth are lost, and the path of understanding leads through nothing, but the primary sense: sight.
The meshes interfere with each other differently viewed from every angle, so the painting itself is kind of "alive" as well.
It is everything and nothing at the same time.
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'18.08.21. II
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'18.08.21. II Painting

Villő Horváth

Hungary

Painting

Size: 70.9 W x 78.7 H x 2 D in

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About The Artwork

I'm dealing with the aesthetics and visual phenomena of the digital age. This painting (which stands of a black canvas and three white meshes) recalls and highliths the interference caused by pixels. We can think of it, as an attempt of a naive human being to figure out what is going on in these wholely different, semi-phisically-existing, semi-alive creatures - called screens - when meaning and depth are lost, and the path of understanding leads through nothing, but the primary sense: sight. The meshes interfere with each other differently viewed from every angle, so the painting itself is kind of "alive" as well. It is everything and nothing at the same time.

Details & Dimensions

Multi-paneled Painting:Airbrush on Canvas

Original:One-of-a-kind Artwork

Size:70.9 W x 78.7 H x 2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

https://www.villohorvath.com/ The evolution of technology creates many new influences for our eyes. With the constant increase of monitors we are exposed to unnatural effects on a daily basis. When looking sideways after watching a monitor there will always be a strong after-image, if we photograph a computer’s monitor with a mobile phone then there will be an interference between pixels. My works are inspired by these sensual deceptions which we are accustomed to by today. The inner workings of our world build upon constant change. Natural sciences and psychology alike study the correlation between action and reaction. The basic flow of the human life's phenomena is no different. My works are an analogy to this constant change by playing with retinal perception and sensation. They test the impeccability of stored memories and broaden the momentary sight with after-images. Our movement in accordance with the picture’s surface changes what we see and perceive of the picture. The works start to live as soon as they establish a connection to the viewer - in the “now” - and their integrity ends when the contact between viewer and picture ceases to be.

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