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The paintings need to be framed, with or without passepartout.
"Music", 42x30cm, acrylic on grey cardboard.
"Architecture", 30x41 cm, acrylic on deep blue cardboard.

The painting from the left side was inspired by the music. The sounds can reach sharp levels  and the curve can be easily identified with a violin, classical guitar or bass.

The picture on the right side is inspired by the volume of the Sydney Opera House.
Therefore, these two paintings joined in an ensemble speak of music and architecture.
The paintings need to be framed, with or without passepartout.
"Music", 42x30cm, acrylic on grey cardboard.
"Architecture", 30x41 cm, acrylic on deep blue cardboard.

The painting from the left side was inspired by the music. The sounds can reach sharp levels  and the curve can be easily identified with a violin, classical guitar or bass.

The picture on the right side is inspired by the volume of the Sydney Opera House.
Therefore, these two paintings joined in an ensemble speak of music and architecture.
The paintings need to be framed, with or without passepartout.
"Music", 42x30cm, acrylic on grey cardboard.
"Architecture", 30x41 cm, acrylic on deep blue cardboard.

The painting from the left side was inspired by the music. The sounds can reach sharp levels  and the curve can be easily identified with a violin, classical guitar or bass.

The picture on the right side is inspired by the volume of the Sydney Opera House.
Therefore, these two paintings joined in an ensemble speak of music and architecture.
The paintings need to be framed, with or without passepartout.
"Music", 42x30cm, acrylic on grey cardboard.
"Architecture", 30x41 cm, acrylic on deep blue cardboard.

The painting from the left side was inspired by the music. The sounds can reach sharp levels  and the curve can be easily identified with a violin, classical guitar or bass.

The picture on the right side is inspired by the volume of the Sydney Opera House.
Therefore, these two paintings joined in an ensemble speak of music and architecture.

195 Views

3

View In My Room

2 Paintings "Music & Architecture" Painting

Livia Geambasu

Romania

Painting, Acrylic on Cardboard

Size: 28 W x 16.5 H x 0.2 D in

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$740

Shipping included

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195 Views

3

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ABOUT THE ARTWORK

The paintings need to be framed, with or without passepartout. "Music", 42x30cm, acrylic on grey cardboard. "Architecture", 30x41 cm, acrylic on deep blue cardboard. The painting from the left side was inspired by the music. The sounds can reach sharp levels and the curve can be easily identified with a violin, classical guitar or bass. The picture on the right side is inspired by the volume of the Sydney Opera House. Therefore, these two paintings joined in an ensemble speak of music and architecture.

DETAILS AND DIMENSIONS
Multi-paneled Painting:

Acrylic on Cardboard

Original:

One-of-a-kind Artwork

Size:

28 W x 16.5 H x 0.2 D in

Number of Panels:

2

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Livia Geambasu studied at “Ion Mincu” University of Architecture and Urban Planning, Bucharest, Romania, making a statement through multidisciplinary fields: Architecture, Fine Arts, Interior Design, Product Design and Urban Planning. She is an architecture MA and member of The Romanian Order of Architects. She has been working independently since 2005. More details, here: Livia picked up painting again in autumn 2015 after long years of working in architecture and design. She gained gallery international recognition in 2016 and 2019 as well, in Art Revolution Taipei (A.R.T.) the annual international Art Shaw in Taiwan, being between the finalists. She also exposed in many other galleries all over the word (twice U.K. - London, digital in New York and Basel, etc.) Her work varies from conventional to bizarre compositions, from oil, acrylic or watercolor to ink, charcoal, pencil and has painted murals as well. Art doesn’t exist without creativity, originality and emotion, all joined by that special atmosphere of the creation – peaceful, storming, emotional or the ugly-beauty. Some of her originals are in private collections in USA, U.K., France, Switzerland, Taiwan, Chile, Colombia, Iraq, Qatar and Romania. Livia (in 2015): “Only recently I started painting again with the passion of the childhood years. I explore continuously new styles and techniques, the dynamics of my work being it’s eclecticism, in other cases, it would be very boring for me. Subjects are born through my energetic feelings about images of real life. I associate unconventional images, paint moments of the social life of the city and build stories.”

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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