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31.5 W x 31.5 H in
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Shoes taken off in a hurry, a pack of cigarettes, a lip balm and a used adhesive bandage, objects that recount a night lived to the fullest. Traces of bodies and gestures, signs of an energy that gives way to exhaustion. They are minimal, imperfect fragments, yet true, silent remnants that reveal ho...
2024
Painting, Acrylic on Canvas
One-of-a-kind Artwork
31.5 W x 31.5 H x 1.4 D in
No
Not Framed
Certificate is Included
Ships in a Box
Shipping is included in price.
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Switzerland.
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Switzerland
"Through painting, I explore the narrative power of objects. I am fascinated by the traces of what we use, accumulate, or forget. Each composition becomes a portrait — a silent story of our everyday life." Technique and Visual Approach I love using acrylics for their immediacy and for the possibility of applying color in a textured and vibrant way. I often leave the paint abundant, almost corporeal, because I believe that in this way the image gains a more tangible, physical presence — just like the reality it represents. I am interested in the play of balance: the way objects occupy space and interact with one another, approaching, distancing, and counterbalancing each other. I pay great attention to color relationships, as color, for me, holds a power capable of giving intensity and presence to objects without the need to push them beyond what is real. The Thought Behind the Image I paint still lifes composed of ordinary objects; sometimes dirty, used, or forgotten. I am drawn to things that usually go unnoticed but actually hold many stories within them: medicines, utensils, ripe fruit, packaging, remains. These are objects we use, consume, and live with every day without realizing it. Sometimes I choose them for what they represent; other times for their form or for the way they inhabit space, time, and memory. For me, objects are a form of portrait: they do not show a face, but they reveal habits, fragilities, and desires. They speak of those who remain unseen. In this sense, my paintings become portraits of absences: lives suggested through what remains. They do not judge, they observe. In exploring the things that surround us, the emotional and temporal dimensions take on a central role. Some objects outlive us; they are passed on, preserving the marks of time and carrying with them presences and absences, places, bonds, memories. Others are ephemeral, destined to wear out — disposable. Yet all of them, equally, deserve to be looked at. They are part of reality, and in painting they can find a space where they are welcomed.
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