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Painting, Acrylic on Batik
Size: 36 W x 41 H x 1 D in
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86 Views
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Trees are ancient and eternal. They are also serene and mysterious, functioning as an enduring symbol of Nature’s powerful presence in Man’s lives. In Buddhist tradition, Buddha meditated for seven weeks under a sacred banyan tree before attaining enlightenment. One of Zeus’ oracles was a whispering Oak tree located in Epirus, Greece. And in Norse mythology, a giant ash green tree, Yggdrasil, stood in the center of the universe governing the nine Norse worlds. These stories define the idea that Man is as much a part of Nature as Nature is a part of Him. Evidently carried forward through the ages, mankind and the natural world are shown to not be binary opposites, but are, in fact, inexplicably connected. “3 Friends in Winter” is about this harmonious partnership between Man and Nature. Different trees hold many different symbolic meanings across cultures and contexts, yet a simple idea remains throughout: Man and Nature are one. In Chinese tradition, the Pine, Bamboo and Plum together has symbolised unwavering friendship and remarkable perseverance from as early as the 1200s (Yuan Dynasty). This combination perfectly encapsulates the relationship between Man and Nature, and between the viewers of this painting and the painting itself. What transpires when looking intimately at its details is a psychological process not unlike that of meditation: drawn into a world outside the pressures of modern life, where everything is peaceful and free, viewers are invited to contemplate what is missing from their lives – indeed, it must be Nature; a sense of slowing down to appreciate what has always been important to us before it is too late.
2023
Acrylic on Batik
One-of-a-kind Artwork
36 W x 41 H x 1 D in
Not Framed
No
Ships Rolled in a Tube
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Singapore.
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Rashid Salleh is a visual artist of Javanese and Indian heritage, born and bred in Singapore. He was raised in a traditional Javanese family where he was taught that culture is the pillar of one’s being. As he grew to acquaint himself with the study of art, he began to be influenced by the eccentricities of Dali and Caravaggio, whom he first came across in a local library in his youth. Rashid’s artwork is derived from the desire to explore the intricacies of the human condition, through juxtapositions of the physical and the metaphysical, and the traditional and the modern. He typically works with acrylic, and more recently “batik”, a fabric heavily associated with Javanese culture. In all of his works, he expresses a passionate desire to deviate from tradition, yet retains ideals of his culture at the same time, albeit in a distorted and fresh, modern light.
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