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A Game of Death Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 24 W x 24 H x 0.5 D in

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About The Artwork

The Game of Death (Chinese: 死亡遊戲) is an incomplete Hong Kong martial arts film, filmed between August and October 1972, directed, written, produced by and starring Bruce Lee, in his final film project. Lee died during the making of the film. Over 100 minutes of footage was shot prior to his death, which was later misplaced in the Golden Harvest archives. The remaining footage has since been released with Lee's original Cantonese and English dialogue, with John Little dubbing Lee's Hai Tien character as part of the documentary entitled Bruce Lee: A Warrior's Journey. Much of the footage that was shot is from what was to be the climax of the film. During filming, Lee received an offer to star in Enter the Dragon, the first kung fu film to be produced by a Hollywood studio (Warner Bros.), and with a budget unprecedented for the genre ($850,000). Lee died of cerebral edema before the film's release. At the time of his death, he had made plans to resume the filming of The Game of Death. After Lee's death, Enter the Dragon director Robert Clouse was enlisted to finish the film using two stand-ins; it was released in 1978 as Game of Death, five years after Lee's death, by Golden Harvest. The story of Lee's original 1972 film involves Lee's character, in order to save his younger sister and brother, joining a group of martial artistswho are hired to retrieve a stolen Chinese national treasure from the top floor of a five-story pagoda in South Korea, with each floor guarded by martial artists who must be defeated while ascending the tower. The 1978 film's plot was altered to a revenge story, where the mafiaattempts to kill Lee's character, who fakes his death and seeks vengeance against those who tried to kill him. The final part of the film uses some of Lee's original film footage, but with the pagoda setting changed to a restaurant building, where he fights martial artists hired by the mafia in an attempt to rescue his fiancée Ann Morris (played by Colleen Camp). This revised version received a mixed critical reception but was commercially successful, grossing an estimated US$43 million worldwide ($170 million adjusted for inflation). It was an influential film that had a significant cultural impact. The original version's concept of ascending a tower while defeating enemies on each level was highly influential, inspiring numerous action films and video games. The film is also known for Lee's iconic yellow-and-black jumpsuit as well as his fight scene with Kareem Abdul-Jabbar, both of which have been referenced in numerous media. Lee Jun-fan (Chinese: 李振藩; November 27, 1940 – July 20, 1973), commonly known as Bruce Lee (Chinese: 李小龍), was a Hong Kong American martial artist, actor, director, martial arts instructor and philosopher. He was the founder of Jeet Kune Do, a hybrid martial artsphilosophy drawing from different combat disciplines that is often credited with paving the way for modern mixed martial arts (MMA). Lee is considered by commentators, critics, media, and other martial artists to be the most influential martial artist of all time and a pop culture iconof the 20th century, who bridged the gap between East and West. He is credited with helping to change the way Asians were presented in American films. The son of Cantonese opera star Lee Hoi-chuen, Lee was born in the Chinatown area of San Francisco, on November 27, 1940, to parents from Hong Kong, and was raised with his family in Kowloon, Hong Kong. He was introduced to the film industry by his father and appeared in several films as a child actor. His early martial arts experience included Wing Chun (trained under Yip Man), tai chi, boxing (winning the Hong Kong schools boxing tournament), and street fighting (frequently participating in Hong Kong rooftop fights). Lee moved to the United States at the age of 18 to receive his higher education at the University of Washington in Seattle; it was during this time that he began teaching martial arts, later drawing significant attention at the 1964 Long Beach International Karate Championships. In the 1970s, his Hong Kong and Hollywood-produced films elevated the traditional martial arts film to a new level of popularity and acclaim, sparking a surge of interest in the Chinese nation and Chinese martial arts in the West. The direction and tone of his films dramatically influenced and changed martial arts and martial arts films worldwide. He is noted for his roles in five feature-length martial arts films in the early 1970s: Lo Wei's The Big Boss (1971) and Fist of Fury (1972); Golden Harvest's Way of the Dragon (1972), directed and written by Lee; and Golden Harvest and Warner Brothers' Enter the Dragon (1973) and The Game of Death (1978), both directed by Robert Clouse. Lee became an iconic figure known throughout the world, particularly among the Chinese, based upon his portrayal of Chinese nationalism in his films, and among Asian Americans for defying stereotypes associated with the emasculated Asian male. Having initially learnt Wing Chun, tai chi, boxing, and street fighting, he combined them with other influences from various sources into the spirit of his personal martial arts philosophy, which he dubbed Jeet Kune Do (The Way of the Intercepting Fist). Lee had residences in Hong Kong and Seattle. Lee died on July 20, 1973, at the age of 32. There was no visible external injury; however, according to autopsy reports, Lee's brain had swollen considerably. The autopsy found Equagesic in his system. When the doctors announced Lee's death, it was officially ruled a "death by misadventure". Since his death, Lee has continued to be a prominent influence on modern combat sports, including judo, karate, mixed martial arts, and boxing, as well as modern popular culture, including film, television, comics, animation and video games. Time named Lee one of the 100 most important people of the 20th century. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:24 W x 24 H x 0.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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