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Acrylic and marble powder. I never give title to my paintings, like that the viewers can imagine what they want, and that's better because imagination is freedom.
Acrylic and marble powder. I never give title to my paintings, like that the viewers can imagine what they want, and that's better because imagination is freedom.
Acrylic and marble powder. I never give title to my paintings, like that the viewers can imagine what they want, and that's better because imagination is freedom.
Acrylic and marble powder. I never give title to my paintings, like that the viewers can imagine what they want, and that's better because imagination is freedom.

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View In My Room

A314 Painting

Laurence Moracchini

France

Painting, Acrylic on Canvas

Size: 57.5 W x 35 H x 1.2 D in

Ships in a Crate

SOLD
Originally listed for $4,150

133 Views

4

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Acrylic and marble powder. I never give title to my paintings, like that the viewers can imagine what they want, and that's better because imagination is freedom.

Year Created:

2017

Subject:
Medium:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

57.5 W x 35 H x 1.2 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

France.

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Need more information?

I was born in Paris. Now I live and work in Le Vésinet, in the Yvelines area of France, where I have opened a gallery and studio in 2017. My favourite subject is the portrayal of landscapes. The abstract is always present in my work to a greater or lesser degree depending on the series of paintings. I would define my work as “abstract representation”. I like to inspire each person’s imagination so that they can experience the landscape in their own way, in a way which belongs only to them. My paintings never have an evocative title, just a reference, which allows complete freedom in their interpretation. Each canvas I begin is an adventure. When I work I release my emotions in layers of colour, one on top of the other; it is a sort of dialogue with the canvas. Generally (undoubtedly to escape from the anxiety caused by the blank canvas) I begin my paintings with large swathes of black, scraping and allowing the paint to run down. Then I rapidly apply the layers of colour, it is the hand which expresses the spirit of the work. My paintings are often completely transformed from one day to the next. I keep track of the different stages, either visibly, or by “overpainting” and through this process of layering, little by little, is born the balance of the finished work. From very large canvases (over 80 inches) to the ‘Mini’ format my technique is always the same: I work with a very wide blade using acrylic and marble powder which gives a nice and matt texture

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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