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The basis of the artwork is an over-painted advertisement of the exhibition »The Hermitage at the Prado, Madrid«. The over-painted printed matter has been digitalized and reworked on the computer. Parts of it have been printed out as Ultrachrome inkjet prints and mounted on canvas (collage) with a transparent medium UV protection. The advantage of this process is that the pigment prints will be sealed, like under glass, and different mediums mixed with acrylics and oil, create glazes in various sheens. Unlike on the computer, where the functional logic is based on described rules, the material on canvas became the topic as a sequence of actions—taking on an almost sculptural character. This method is predicated upon the crossover of painting, printing and collage, and draws it actuality from the collision between the visual codes of mass media and the subjective traces of painterly expression.
The basis of the artwork is an over-painted advertisement of the exhibition »The Hermitage at the Prado, Madrid«. The over-painted printed matter has been digitalized and reworked on the computer. Parts of it have been printed out as Ultrachrome inkjet prints and mounted on canvas (collage) with a transparent medium UV protection. The advantage of this process is that the pigment prints will be sealed, like under glass, and different mediums mixed with acrylics and oil, create glazes in various sheens. Unlike on the computer, where the functional logic is based on described rules, the material on canvas became the topic as a sequence of actions—taking on an almost sculptural character. This method is predicated upon the crossover of painting, printing and collage, and draws it actuality from the collision between the visual codes of mass media and the subjective traces of painterly expression.
Detail
The basis of the artwork is an over-painted advertisement of the exhibition »The Hermitage at the Prado, Madrid«. The over-painted printed matter has been digitalized and reworked on the computer. Parts of it have been printed out as Ultrachrome inkjet prints and mounted on canvas (collage) with a transparent medium UV protection. The advantage of this process is that the pigment prints will be sealed, like under glass, and different mediums mixed with acrylics and oil, create glazes in various sheens. Unlike on the computer, where the functional logic is based on described rules, the material on canvas became the topic as a sequence of actions—taking on an almost sculptural character. This method is predicated upon the crossover of painting, printing and collage, and draws it actuality from the collision between the visual codes of mass media and the subjective traces of painterly expression.

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Advertisement »Hermitage at Prado Madrid« Painting

Peter Vahlefeld

Germany

Painting, Acrylic on Canvas

Size: 47.2 W x 47.2 H x 2 D in

Ships in a Crate

SOLD
Originally listed for $6,660

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Artist Recognition
link - Featured in the Catalog

Featured in the Catalog

link - Featured in Inside The Studio

Featured in Inside The Studio

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

The basis of the artwork is an over-painted advertisement of the exhibition »The Hermitage at the Prado, Madrid«. The over-painted printed matter has been digitalized and reworked on the computer. Parts of it have been printed out as Ultrachrome inkjet prints and mounted on canvas (collage) with a transparent medium UV protection. The advantage of this process is that the pigment prints will be sealed, like under glass, and different mediums mixed with acrylics and oil, create glazes in various sheens. Unlike on the computer, where the functional logic is based on described rules, the material on canvas became the topic as a sequence of actions—taking on an almost sculptural character. This method is predicated upon the crossover of painting, printing and collage, and draws it actuality from the collision between the visual codes of mass media and the subjective traces of painterly expression.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

47.2 W x 47.2 H x 2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Peter Vahlefeld's visceral artworks combine a rigorous, process-based practice, continually rethinking the possibilities of painting. The act and idea of »building« the paintings encapsulates his multi-tiered approach to each piece that unfold in an intricate, unpredictable interaction of layers and excess—a constant juggling of paint, prints, fabrics, and effect to enhance the capacity of the surface. Using references to a broad array of sources, including art history, literature, and pop culture, he creates paintings that alternate between flat experience and dimensionality. Perfectly poised between European and American traditions (Art Informel, Abstract Expressionism, Pop Art), they draw their actuality from the collision between the visual codes of mass media and the subjective traces of painterly expression and combine complexity into a visual richness that is neither figurative nor abstract. Peter Vahlefeld has participated in a variety of solo exhibitions, art fairs, and venues such as Neumeister Fine Art Auctioneers (Munich), Sotheby's (Vienna), Fritz Hansen (Denmark) and Allianz Art Collection. His work can be found in private and corporate collections throughout Europe, the United States and Asia. Peter Vahlefeld was featured on the German television channel ZDF, and currently works in Berlin and Munich.

Artist Recognition
Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Featured in Inside The Studio

Featured in Saatchi Art's curated series, Inside The Studio

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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