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After the Storm Painting

José Manuel De Hita Moreno

Spain

Painting, Oil on Canvas

Size: 23.6 W x 28.7 H x 0.7 D in

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ABOUT THE ARTWORK

The storm moves away and some clearings open up. A wooden platform with train tracks embedded in it come in and rises above the sea. Three women standing next to the railing curiously observe two men who advance decisively towards the viewer. The 5 wear hats or caps characteristic of the time (we are in the 1920s) and carry umbrellas, which they had to close recently... although from their taciturn faces and the way they carry them, it would seem more like they are weapons. The wooden structure is inspired by the upper platform of El Cable Inglés, the old mineral unloading station in the port of Almería, inaugurated at the beginning of the 20th century and recently restored and adapted as a walkway with views over the sea and the city. The characters are inspired by the Picky Blinders television series... although Birmingham has no sea.m

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

23.6 W x 28.7 H x 0.7 D in

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Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am a painter with a late vocation and autonomous training. My work could be described as an attempt to achieve something that photography (my previous artistic vocation) could hardly provide. A photographer discovers something that is happening and shoots... You have to be very good at this to create a good photo... but the thing has to happen. A painting of mine is an attempt to create an image, a story that I would like to have captured but unfortunately it did not happen, or at least I was not there at the time... That is, I invent a story that I would have liked to find and photograph. . The resources of that story (its setting, its protagonists, the type of light...) are usually real, taken from photographs, but their selection, mix, and arrangement is what provides the value of the work thus created. And from this point of view my work is easily describable: Lonely people (although accompanied), stillness (although with movement), prominence of ambient light (or its lack) and in general a painting that is not happy, although it is not either sad. Melancholy is perhaps the word that best describes what these paintings exude. If this work had to be classified in one of the usual figurative pictorial styles, we would have to talk a little (but only a little) about magical realism, metaphysical painting, surrealism. It's almost easier to say what it's not: it's not realistic painting. Many people point out to me the similarity of the "mood" of my paintings with that of the the work of Master Hopper... what more would I want... I was born in Madrid in 1956. I am married and I have two kids. I live in Las Rozas in Madrid. :

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