







Painting, Oil on Canvas
23.9 W x 31.6 H in
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The series is the most personal but on the one hand, it is a universal story about me and us. The melancholy emptiness that suddenly comes to the busy life of modern people is sometimes a new discovery that awakens the latent consciousness, and it can also become a nourishment of growth. The author...
Year Created:
2021
Subject:
Styles:
Mediums:
Painting, Oil on Canvas
Rarity:
One-of-a-kind Artwork
Size:
23.9 W x 31.6 H x 1.2 D in
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
South Korea.
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Contact us.Need more information?
Contact us.Artist Hyo-jin park has been working with the sea for a long time. The infinite rhythm and change of the image of the wave, as well as the loneliness and energy of recovery hidden within it, have been a deep inspiration to the artist.
In her early work, she looked at the sea as a realistic landscape, but she did not stop at simply describing the facts. She tried to convey the emotions and thoughts she felt through the movement of the waves, and read the tension, relaxation, and hope for life contained within them.
The Beautiful World series was born in this extension.
The early works of this series paradoxically tell the story of beauty blooming in adversity. It was an attempt to hide pain and sighs and instead sublimate them into a clearer and more tranquil screen. By revealing the depth of emotion but expressing it in a restrained manner, simplifying the image of the wave, and utilizing the blank space, she wanted to create a space where the viewer could project their own story.
She began to think about more abstract and implicit language, moving away from the realistic and concrete wave landscapes she had previously used, and this was a turning point for me as well. With this series, I wanted to explore the possibility that beauty is not simply a visible landscape, but can still shine despite the wounds and adversities of human beings.
My gaze is still on the waves, but I wanted to tell a deeper and more universal story beyond them.
I am moving from the familiar image of the sea to paintings that can contain more emotion, lingering feelings, and the complexity of life.
Recognition:
Artist featured in a collection
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