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An Ode to Arrogance Painting

Coris Evans

Australia

Painting, Acrylic on Canvas

Size: 15.7 W x 19.7 H x 0.6 D in

Ships in a Box

$908

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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A study in symbols and quiet irony, this work explores how status is performed rather than earned. Two doves intertwine mid-flight, evoking faith, purity, and ideals that sit uneasily above material desire. Below them, a 2000s Motorola flip phone glints with former authority - a relic of cool once s...

Year Created:

2024

Subject:
Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

15.7 W x 19.7 H x 0.6 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Australia.

Need more information?

Need more information?

Coris Evans is a visual artist based in Byron Bay, Australia. Her practice explores memory and longing, using familiar objects and symbols to trace how personal history lingers in everyday life. After losing her mother to cancer as a teenager, memory became something to return to - a place where time slowed, where tenderness endured, and where her mother still lived. Evans’ paintings and sculptural works draw on ordinary objects as emotional anchors: a well-worn mug kept beyond its use, an old mobile phone once filled with teenage secrets, the lingering scent of a parent’s hair product. These details become quiet carriers of feeling, transforming intimate memory into shared experience. Working primarily with sustainable and recycled materials, Evans views care for the environment as inseparable from care for memory itself. Her process is slow and deliberate, guided by responsibility - to material, to narrative, and to the world her work inhabits. Through her practice, Evans invites viewers to reflect on what we hold onto, what we lose, and the objects we return to when we want to remember who we were.

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