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"Annwn (Otherworld)" Painting

Jon Wall, United Kingdom

Painting, Oil on Canvas

57.1 W x 72.4 H in

Framed

This artwork is not for sale.

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Cad Goddeu  I was in a multitude of forms Before I was unfettered: I was a slender mottled sword Made from the hand. I was a droplet in the air, I was the stellar radiance of stars. This ancient Celtic poem from the Book of Taliesin is about a battle that occurred on the edge of Annwn. In Celtic my...

Year Created:

2023

Subject:
Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

57.1 W x 72.4 H x 2 D in

Ready to Hang:

No

Frame:

Brown

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

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Jon Wall

About the Artist

Jon Wall

United Kingdom

I am a welsh artist, based in Cardiff. As a teenager I became interested in tattooing and I went on to complete my tattoo apprenticeship on the east coast of Australia. I was interested in traditional American tattoos due to the bold graphic aesthetic which reminded me of ancient Egyptian art. I went on to study fine art at Cardiff school of art and design. I continued to pursue a link between the tattoo and fine art, exploring many ways the skills and concepts could be transferred over into contemporary painting. This obsession led me down a unique path of discovery where I have intensely experimented with different paints, tools and surfaces. I now make my own paints from natural materials, sometimes foraging for tree resins or even extracting tar from birch bark. I use unconventional methods in my art such as weaving jute twine through the canvas or using a punch needle to create texture. I douse my paintings with petrol and set them on fire to allow them to come to fruition organically through a process of destruction and creation. This process is emblematic of death and rebirth, which is now a main focus in my practice.

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