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In the realization of my works, employment the method of flexography that Rorschach used to create their psychological analysis test.
When I start one of my works, I like to apply drip paint due to the spontaneity that this technique brings from the beginning, so I can make sure my intuitive nature to create, instead of a logical reasoning that controls everything.
When I start one of my works, I like to apply drip paint due to the spontaneity that this technique brings from the beginning, so I can make sure my intuitive nature to create, instead of a logical reasoning that controls everything.
The paint is left to flow, there are no reasoning when running one of my paintings, the action of folding a part of the fabric on another is rather guided by intuition.
There are extraordinary things in the shapes and color of a painting that inspires you the memory of something diffuse in your life, and that you just can interpret.

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Apperception #60. The shriek of Nature Painting

William Rafael Marquina Buitrago

Ecuador

Painting, Acrylic on Canvas

Size: 68.5 W x 90.6 H x 0.5 D in

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$8,020

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ABOUT THE ARTWORK

Watch on YouTube: https://youtube.com/watch?v=KpIoU-4AHYA Author: William Marquina Title: Apperception #60. The shriek of nature Series: Confinements Technical: Acrylic on Canvas Dimensions: 230 x 174 cm; (90.55 x 68.50 in) Year: march-2020 Keywords: Nature, Confine, Painting, Dripping, Pandemic, Virus, Cry. Description: This unique situation for the contagion that we live humanity with the new Coronavirus, inspired me to perform this paint through the drip and flexographic techniques, which I have been developing in my previous series "Apperception". When making the drip and then the different flexography, I thought about the vision of a 'shriek', because this semantics related it with the sudden and frightening appearance of being seeing the spread of this virus multiplying throughout the world violently. But this is the shriek of despair of nature because that is the violent way in which she is expressed (in the same way that she expresses with hurricanes, earthquakes, etc., due to climate change) in the face of the alteration and destruction that man has done for egoistic ends and global domination, It is the shriek that occurs by the curve of his throat when he throws it into the air and spread, and it is also the shout that occurs direct when he reaches his guest so he is clearly crying for it. I want to understand with this work, that nature is unique and has a delicate balance, therefore it must be left to it in peace. This painting is signed from behinod, it is not stretched on wooden frame and its shipment is made upwined inside a resistant tube.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

68.5 W x 90.6 H x 0.5 D in

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William Marquina was born in Merida, Venezuela. Attracted by the works of great masters such as Picasso and Leonardo, at the age of 11 he participated in a Sunday outdoor painting workshop. After graduating in visual arts at the University of Los Andes, he studied for a master’s degree in philosophy, followed by an unfinished doctorate, and was a short-term visual arts teacher at the same university. From now on, William will pursue his passion for art by experimenting with different themes, techniques, styles and media. Disappointed by the unstable situation in his country, he emigrated to the city of Quito in 2019 where he currently lives and produces his works. William’s production has been experimentally versatile and challenges us with series characterized by the desire to seek, study and complement the archaic and the contemporary. Among his series are: Brillo, Copia Picasso, Copia Matisse, Copia Da Vinci and Apercepciones. In the latter, he highlights in painting, the subjective complexity in the world of perceptions. He has been exhibiting his recent works in the city of Quito: “What do you see?” at the Humboldt Association (2024); a collective exhibition at the AQ Arte Feria de Quito (2024). In 2023 his retrospective “Imbrications in Painting”; in 2021 International Painting Exhibition at the Casal Català Quito and in 2019 “Exhibition of Ecuadorian Painting” at the Quito City Hall. Other important individual exhibitions but in Venezuela were: in 2012 “Cartographies of the Terrestrial and the Transterráneo”; in 2017 “Care. Path and Limit”, and in 2007 “Essences”. Awarded the First Prize for Arts for University Students, in 2001.

Artist Recognition
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