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Throughout my work, I explore the process of transformation of such object, its changes. I enjoy reflecting on my interactions with these discoveries, as I am a part of nature as well. I, too, fade like a fruit, and my body deteriorates. This way of thinking is typical for most people. Old age does not paint anyone. But is that true?
I observe the transformation process and make a lot of sketches in real time, which I then combine into a painting. In the process of creating this painting, the object loses its ideal ripe form, so familiar to us from the still lifes from recognized masters of old art, because they praise the beauty of ripe fruits. But every moment has its own unique beauty. Spoiled fruit is unique in its heterogenity. I do not wait for the completion of the picture, as well as my object; rather, I paint the most beautiful vanishing moments of its transformation.
Throughout my work, I explore the process of transformation of such object, its changes. I enjoy reflecting on my interactions with these discoveries, as I am a part of nature as well. I, too, fade like a fruit, and my body deteriorates. This way of thinking is typical for most people. Old age does not paint anyone. But is that true?
I observe the transformation process and make a lot of sketches in real time, which I then combine into a painting. In the process of creating this painting, the object loses its ideal ripe form, so familiar to us from the still lifes from recognized masters of old art, because they praise the beauty of ripe fruits. But every moment has its own unique beauty. Spoiled fruit is unique in its heterogenity. I do not wait for the completion of the picture, as well as my object; rather, I paint the most beautiful vanishing moments of its transformation.
Throughout my work, I explore the process of transformation of such object, its changes. I enjoy reflecting on my interactions with these discoveries, as I am a part of nature as well. I, too, fade like a fruit, and my body deteriorates. This way of thinking is typical for most people. Old age does not paint anyone. But is that true?
I observe the transformation process and make a lot of sketches in real time, which I then combine into a painting. In the process of creating this painting, the object loses its ideal ripe form, so familiar to us from the still lifes from recognized masters of old art, because they praise the beauty of ripe fruits. But every moment has its own unique beauty. Spoiled fruit is unique in its heterogenity. I do not wait for the completion of the picture, as well as my object; rather, I paint the most beautiful vanishing moments of its transformation.
Throughout my work, I explore the process of transformation of such object, its changes. I enjoy reflecting on my interactions with these discoveries, as I am a part of nature as well. I, too, fade like a fruit, and my body deteriorates. This way of thinking is typical for most people. Old age does not paint anyone. But is that true?
I observe the transformation process and make a lot of sketches in real time, which I then combine into a painting. In the process of creating this painting, the object loses its ideal ripe form, so familiar to us from the still lifes from recognized masters of old art, because they praise the beauty of ripe fruits. But every moment has its own unique beauty. Spoiled fruit is unique in its heterogenity. I do not wait for the completion of the picture, as well as my object; rather, I paint the most beautiful vanishing moments of its transformation.
Throughout my work, I explore the process of transformation of such object, its changes. I enjoy reflecting on my interactions with these discoveries, as I am a part of nature as well. I, too, fade like a fruit, and my body deteriorates. This way of thinking is typical for most people. Old age does not paint anyone. But is that true?
I observe the transformation process and make a lot of sketches in real time, which I then combine into a painting. In the process of creating this painting, the object loses its ideal ripe form, so familiar to us from the still lifes from recognized masters of old art, because they praise the beauty of ripe fruits. But every moment has its own unique beauty. Spoiled fruit is unique in its heterogenity. I do not wait for the completion of the picture, as well as my object; rather, I paint the most beautiful vanishing moments of its transformation.

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View In My Room

Apple transformation 3 Painting

Alessandra BB

Spain

Painting, Oil on Canvas

Size: 57.5 W x 44.9 H x 0.6 D in

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SOLD
Originally listed for $2,130

307 Views

41

Artist Recognition
link - Featured in the Catalog

Featured in the Catalog

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

Throughout my work, I explore the process of transformation of such object, its changes. I enjoy reflecting on my interactions with these discoveries, as I am a part of nature as well. I, too, fade like a fruit, and my body deteriorates. This way of thinking is typical for most people. Old age does not paint anyone. But is that true? I observe the transformation process and make a lot of sketches in real time, which I then combine into a painting. In the process of creating this painting, the object loses its ideal ripe form, so familiar to us from the still lifes from recognized masters of old art, because they praise the beauty of ripe fruits. But every moment has its own unique beauty. Spoiled fruit is unique in its heterogenity. I do not wait for the completion of the picture, as well as my object; rather, I paint the most beautiful vanishing moments of its transformation.

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

57.5 W x 44.9 H x 0.6 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I was born in Belarus, however, now I live and work in Spain. I am a figurative artist and from a technical point of view, I have gone from subject painting to the revised ideas of cubism and expressionism. The main theme of my artistic research is transformations and changes in our bodies and mind. I use the main principle of the cubists - to depict an object simultaneously from each side, however, I apply it not to the object of the image, but to time. I am fascinated by the constant change as the basis of our life. To convey the sensual side, I prefer to work with a complex color palette of oil paints, colored pencils, and wax crayons. For the last five years, I have been exploring in my paintings the various processes that affect our bodies. I am interested in the problems of acceptance or rejection of age-related changes, the problems of social taboos, and the framework imposed by society and forcing many women not to accept their bodies. I care about how our worldview, deep feelings, and life experience are reflected on our faces and bodies. My art is about discovering unconventional beauty and accepting and working through change and finding joy at the moment. I am convinced that we come into this world to change and encourage our viewers to enjoy this process. We lose and find ourselves, we change but somehow stay the same person, we age but come alive. We are a process and not a frozen, still pretty picture. https://www.youtube.com/watch?v=RMbxo6e1cIs

Artist Recognition
Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Dallas, Dallas

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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