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Aristeo si innamora perdutamente di Euridice - Aristeo falls madly in love with Eurydice Painting

Richard Tosczak Angela Letizia Renzi

Italy

Painting, Household on Canvas

Size: 39.4 W x 59.1 H x 1.4 D in

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About The Artwork

La tela racconta dell’amore di Aristeo, un figlio del dio Apollo, per la giovane Euridice, sposa di Orfeo. Euridice non ricambia l’amore di Aristeo e un giorno, nel tentativo di sfuggire alle sue attenzioni, inciampa in un serpente velenoso, che la uccide mordendola. The canvas tells of the love of Aristaeus, a son of the god Apollo, for the young Eurydice, with of Orpheus. Eurydice does not return Aristeo’s love and one day, in an attempt to escape his attention, she stumbles upon a poisonous snake and dies from a single bite.

Details & Dimensions

Painting:Household on Canvas

Original:One-of-a-kind Artwork

Size:39.4 W x 59.1 H x 1.4 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

The work was born from a collaboration between a Canadian sculptor and a lover of foreign literature of Italian origin. The collaboration, which has its beginnings in the picturesque setting of Lake Como, continues, more productive than ever, on an island in the heart of the Mediterranean made alive by the tide and motion of the waves, the active volcano Etna and tales of local mythology. The canvases have a dialogic character which comes to life via an effective conversation between the simultaneous action of the two authors. The philosophical artistic formation of one and the literary humanistic of the other, the yin and the yang, are intertwined in a common vocabulary, a visual language of colour, gesture and form: this is our lexicon, our morphs-syntax, the grammar of our language. Le opere nascono da una collaborazione tra uno scultore di origine canadese e un’appassionata di letterature straniere di nazionalità italiana. La collaborazione, che ha i suoi inizi nella pittoresca cornice del lago di Como, continua, più produttiva che mai, su un’isola nel cuore del mediterraneo resa viva dal moto delle onde, dalla forza del vulcano Etna e dai racconti della mitologia locale. Le tele hanno un carattere dialogico e prendono vita a partire da una conversazione fattiva, tra colori e forme, che si innesca nell’azione simultanea dei due autori. La formazione artistico filosofica dell’uno e umanistico letteraria dell’altra, lo yin e lo yang, si intrecciano in un vocabolario comune che si esprime con il linguaggio visivo e diventa espressione di emozioni: questo è il nostro lessico, la nostra morfo-sintassi, la grammatica del nostro linguaggio.

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