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Painting, Acrylic on Wood
Size: 20 W x 16 H x 2.7 D in
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118 Views
17
Featured in the Catalog
Artist featured in a collection
This painting is inspired by the painting by Guido Reni called "Atalanta and Hippomenes". I love how it is based on a story of love and fate. "Atalanta was a beautiful and confident young Greek woman who had the ability to run faster than any other human. As Ovid said "Nec dicere posses, laude pedum formaene bono praestantior esset." Meaning, no one is able to say whether she was should get more excellent praise for her foot or for her more outstanding beauty. She consulted the oracle, who told Atalanta, that if she ever were to be married, it would bring about her doom. Fearing for her future, she decided never to marry. Instead, she developed a plan which prohibited any man marrying her. The only way a man could only marry Atalanta, was if he beat her in a footrace. If any man challenged her and lost, they would be executed. Despite the consequences if they lost, many young men came to Atalanta’s remote forest and challenged her to a race. As expected, she won ever race leading to many men being killed. One young man, however, Hippomenes, watched the races and instantly fell in love with the beautiful Atalanta. Smitten with the huntress, Hippomenes prayed to Aphrodite, the Goddess of Love. The goddess, moved by his plea, showed him how to win. Aphrodite gave him three golden apples. As the race began, Atalanta took the lead three times. Hippomenes tossed one of the magical apples into her path and each time Atlanta paused to pick up the apple, allowing Hippomenes to take the lead. Aphrodite made the last apple very heavy in order to slow Atalanta down, which led Hippomenes to win the race. Atalanta, finding him handsome, was delighted that he won the race. Since both young people could not contain their happiness, Hippomenes forgot to honor Aphrodite for her help. He failed to show his gratitude. As the couple waltzed through the woods, smitten with one another, they passed a holy shrine of Mother Earth. Lusting over one another, they upset another god, Mother Earth. With some encouragement from Aphrodite, Mother Earth turned them both into lions as a punishment. "...arma immutatur ad crura..." Arms turned to legs. Ironically, Atalanta’s marriage to Hippomenes did ultimately cause her doom."
2020
Acrylic on Wood
One-of-a-kind Artwork
20 W x 16 H x 2.7 D in
Not Framed
Not applicable
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For enquiries please get in touch through Unix Gallery, NYC. I am exploring my own personal mythology that speaks about identity and the core concerns of human existence. It's a constellation of my beliefs, feelings and images that construct my own explanation of the world. Some of the questions I ask through the work are, where do we come from, why is our planet and wellbeing so out of balance? Defaulting to fear and frustration rather than love and creation and how it is our responsibility individually to shift that. My research includes painting daily thoughts and stories. These stories are from personal experiences, observations, conversations and videos and books on the quantum field and the power of thought and intention. I am also looking at mythological paintings from the renaissance period and overlaying my reaction to them on top of the image. And continuing my research on western and eastern story telling through mythology and seeing where that leads me. The aesthetic framework that I am using is one of mythology; which portrays a sense of magic, morality, a life lesson and even mystical creatures. I have added a sense of lightheartedness to the work, almost childlike imagery or a larger scale sketch which provokes a freedom from the left brain thinking which is typical of the society we live in who struggle to obtain their connection to nature and intuition. My work ideally encourages one to see a point of view from an open mind, with fresh child like eyes.
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