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"Bailadora de fandango o la ensoñación" Painting

Ramiro Blanco, Colombia

Painting, Acrylic on Canvas

27.6 W x 39.4 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

Sold

$2,070

ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


Esta obra es inspirada en la alegría de la mujer del Caribe Colombiano. Una cultura mestiza que vibra al son de la música y los cantos de porro y fandango del Bolívar grande y las sabanas de Córdoba y Sucre. Mujeres de ensueño que danzan al son de los tambores, las gaitas y de los paisajes del Car...

Year Created:

2018

Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

27.6 W x 39.4 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Colombia.

Customs:

Shipments from Colombia may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Ramiro Blanco

About the Artist

Ramiro Blanco

Colombia

Ramiro Alfonso Blanco Redondo, nació en el municipio del Carmen de Bolívar, Colombia el 16 de Febrero de 1950.
Creando en sus lienzos un hábil juego de movimientos y volúmenes de clara estirpe cinética, que irradia un inquietante halo metafísico de figuras que miran más allá de lo real, Ramiro Blanco ha sabido frenar su ímpetu surrealista, muy propio de la aludida corriente en donde ha fincado su devenir plástico, que podría considerarse disuelto para este último, para magnificar una atmósfera digna del mejor Chirico, con la trama que cubre la encarnadura de esos seres que aparecen como absortos vigilantes de la nada y cuyas existencias no alcanzamos a comprender: no sabemos si son estatuas, autómatas o seres humanos iguales a nosotros.
Su trabajo lo define como el bejuquismo, consistente en hacer figuras humanas o cosas con los elementos con que ce forjan las canastas y las cestas, es decir, con bejuco y mimbre.

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