





Painting, Oil on Canvas
55 W x 39 H in
Ships in a Tube
This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More
This artwork is not for sale.
ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
This paintings shows Balinese market in the village. So typical that the traditional clothes, and environment mixed with elements from modern life, like a yamaha motor. North Bali is actually very hot, at noon the market is just timeless waiting and stillness.
Year Created:
2010
Subject:
Styles:
Mediums:
Painting, Oil on Canvas
Rarity:
One-of-a-kind Artwork
Size:
55 W x 39 H x 780 D in
Ready to Hang:
Not Applicable
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Germany.
Customs:
Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
Need more information?
Contact us.Need more information?
Contact us.I am deeply interested in the condition of modern existence within a purely materialistic world — a world in which our emotions and multidimensional selves continuously struggle to find recognition and legitimacy.
Through my work, I seek to unfold what lies beyond the visible: the layers of perception that can only be seen with the heart rather than the eyes.
Satire and surrealism are central to my artistic language. They allow me to shift the dimensions of reality — to question what is considered normal, and to reveal the poetic absurdity that often hides beneath everyday life.
My art is an invitation to look deeper, to find meaning in contradiction, and to rediscover the human essence that persists even in a world driven by logic and matter. In my early years, I explored abstraction — vast fields of water-based colors flowing across paper, where gesture and emotion shaped the surface. Later, through studies in photorealism, I discovered the beauty in tension: between precision and intuition, between what is seen and what is felt.
I often bend and distort reality, letting form and color echo inner states, much like in expressionism — though I move closer to its figurative edge. My work shifts in style and vocabulary, driven by curiosity and a refusal to settle. I easily lose patience with polished perfection; I prefer when an image reveals insight rather than imitation.
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