VIEW IN MY ROOM
New Zealand
Painting, Pastel on Paper
Size: 29 W x 26 H x 0.2 D in
Ships in a Tube
I walked to the top of a hill overlooking Nelson in New Zealand where I did field sketches in pastel and pencil. Then I finished the artwork in my studio with these sketches. In this case I didn't have reference photographs as I couldn't get the same detail and colours from these. The painting is in soft pastel using Rembrandt and Sennelier soft pastels. these are very intense in colour and are very light fast . the painting would need to be sent unframed and taken straight to a framer to unwrap and frame under glass as this is a fragile medium to handle but long lasting once framed. I would hope that the viewer would be uplifted and have the same feeling of an aerial view that I had.
Painting:Pastel on Paper
Original:One-of-a-kind Artwork
Size:29 W x 26 H x 0.2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:New Zealand.
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New Zealand
Born 1956 Cambridge, New Zealand.vibrant pastel world of New Zealand artist Marion Towns.Internationally recognised, Marion has a credible list of major exhibitions behind her and her works sell to art lovers throughout the world.Marion Towns draws a powerful inspiration from nature and life. She does not record from the outside but expresses the feelings that identifies with the natural (including human) state of being. It is this ability to almost feel inside herself the essence of the landscape, to not only see the beauty and value of it but have deep and passionate connection with it. This is not new in New Zealand, the indigenous people of the country, the Maori have had a link with the land that is openly spiritual. Marion is not a Maori but in her own way mirrors the Maori concepts. She takes this love for the sky, sea and hills into her love and respect for humans. This takes the form of a devotion to painting the Nude. In recent years the two aspects have appeared together in her pictures. To Marion the Nude is not a symbol but is always a portrait of a real person in a real context and, put simply, the Nude for Marion is the reality of nature no less than are the hills she portrays.
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