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Be faithful unto death (fourth piece of this series) Painting

Naomi Szabo

Hungary

Painting, Acrylic on Wood

Size: 7.9 W x 9.8 H x 0.8 D in

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About The Artwork

This artwork concists of four pieces (25x20 cm/ one piece) on wooden cutting boards which are illustration of a Hungarian classical novel called Be faithful unto death by a famous Hungarian writer Zsigmond Móricz in 1920. These are the most important elements for me related to the story. It is a story about a young boy who is looking for his role in the world of adults. His conflicts come from social problems e.x. the seeking of truth and honor. I wanted to highlight this special story using a classical technique.

Details & Dimensions

Painting:Acrylic on Wood

Original:One-of-a-kind Artwork

Size:7.9 W x 9.8 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

"I wanted to break out of 'the grey' with my colours." Experiments with different materials, with the powerfully composed fragmented world of shapes and the strong juxtaposition of colours play a determinative role during the process of my creation. I use mixed techniques in order to find balance by merging them: oil, acrylic and watercolour, texture material or airbrush technique, canvas and wood and I sometimes cut and burn into the fibres. I often divide my paintings: one picture is a compound of two or more pieces. I may even sacrifice my figures occasionally by painting only parts of them to shape a unique composition. This fragmentation can be interpreted by the assistance of the viewer in order to finally put the work together into a whole. Experimenting with different materials, portraying colors in 3D, trying out different substances as surfaces are all parts of my geniune artistic view. The harsh compositions of my paintings are combined with sophisticated stories. Since my university years the research of the body of complex symbols and gestures have become my favourite means of expression and the featured motif of my individual faceless body images. In my paintings I am concerned with the themes of emotions and repressed desires expressed through body movements, with general human situations, relations and the illustrations of various roles just as well as the face as the carrier and projector of complex symbols, which is unique in all people and comprise never-recurring features.

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