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Bellini Fellini Painting

Mike Edwards

United Kingdom

Painting, Acrylic on Paper

Size: 48 W x 59.1 H x 1.6 D in

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Originally listed for $3,960
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About The Artwork

The painting started life in 1987 as part of a series of paintings on Fabriano paper that sought to combine Classical Renaissance motifs and the emerging graffiti tagging style at that time in the late eighties. The original plan was to put the paintings out in the urban environment for a while and allow them to be graffed and tagged - in effect to 'naturally' absorb the visual contemporary culture of the time - but as I was only in my second year of my Fine Art degree - and they needed to be outside for a year to be fully 'intervened' with - I decided to tag the paintings myself using a mixture of invented names including one for example "Fake" - which you can see towards the base of the neck as "F*KE". The title 'Bellini Fellini' is a reference to Giovanni Bellini - the forward-looking Renaissance painter - and Federico Fellini the great 'Futurist' Italian film maker. Both, hugely influential - and culturally revolutionary figures. Bellini in particular, an influence on me - his sensuous use of colour and light in portraits is something I've been trying to capture in my text portraits. I re-discovered the original 'Bellini Fellini' painting in it's original form last year in a family loft - and decided it's battered countenance attested to its 27 year life - and in a way partly fulfilled the original concept - and that now, in 2015 I could bring it's history full circle and add a 21st century motif that would underline the whole idea of the piece: that time passes and culture evolves - but core human elements remain as solid as stone. The paper painting was stuck onto board using conservation-quality - British Museum accredited - Lascaux 498HV - and restored and sealed using Liquitex UV protective matte varnish. The Michelangelo-esque head was then picked out with a painterly blue background - and the fluorescent red neon bars were added as a visual reference to 21st century culture - and perhaps even as a reflection of the current trend of 'Post-Analogue Painting'. They are a visual representation of 'The Future' raining down on us - highlighting the fact that with time - there is only forward motion.

Details & Dimensions

Painting:Acrylic on Paper

Original:One-of-a-kind Artwork

Size:48 W x 59.1 H x 1.6 D in

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Mike Edwards is an established artist well known for his portraits made of text. New bodies of work show Edwards evolving from his recognised style, developing an increasingly sophisticated approach to painting. Some works retain a typographic aesthetic, whilst others incorporate painted neon, abstract expressionism and traditional landscape painting to produce a complex and energetic dialogue between the old and the new. Edwards has exhibited extensively, including three solo shows, and his work is in collections around the world, including those of Sir Bradley Wiggins, Imelda May, and the late publisher Felix Dennis. David Bowie signed Edwards’ unique typographic portrait of Aladdin Sane - which went on to raise phenomenal funds for charity at auction. His portrait of Lord Attenborough is on permanent display at The Attenborough Centre for Creative Arts, University of Sussex. Edwards' work was also included in Gilles Peterson's book 'Broadcasting in a Pandemic', a cultural documentation of a year in lockdown. An exceptional painter, Edwards started out as a professional artisan artist before developing his own body of work. Projects have included a stage set for rock band Blur and producing commissioned artworks for Bacardi, Budweiser and Urban Outfitters. Edwards continues to push boundaries in new paintings currently in progress in his studio in central Brighton.

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