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"Bentley 1952 Pale Car Painting" Painting

→ Damian Kaliyeski, United States

Painting, Oil on Canvas

56 W x 26 H in

Ready to Hang

This artwork is not for sale.

ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


Chaval constructs his images from a purely pictorial perspective, for painting is his only tool and resource to build his images and display his poetry: figures, landscape, and mood created with only brushes and color; in his work, even spills and blank spaces are eloquent, and they serve a good fai...

Year Created:

2022

Subject:

Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

56 W x 26 H x 1.5 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Contact us.

Need more information?

Contact us.
Damian Kaliyeski

About the Artist

Damian Kaliyeski

United States

My painting follows a realist approach, yet it is the imperfections that give it a spiritual character, revealing themselves through the color and the forms that emerge during the process. My style varies depending on the atmosphere I seek to express, an atmosphere that first takes shape in my mind before materializing in the work.

I find inspiration in whatever uniquely captures my attention, as if it were an expression from beyond that needs to manifest itself in the material realm through me. I work with oil paint in a traditional manner, a technique that deeply connects me to my influences.

My academic training, art restoration, and my constant engagement with 19th-century painting are fundamental pillars of my artistic practice. These experiences have not only enriched my technical toolkit but also represent an endless source of reference and inspiration.

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